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5 MORE Horror Movies With Horrible Endings!!!

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As often as the importance of endings is stated, it can never be stated loud enough. Can you have a reasonably enjoyable film with a bad ending? Sure, there are plenty. Just as there are more bad films than good films, there are more bad endings than good endings (even amongst good films).

A few months ago I wrote a piece called 5 Horror Films With Horrible Endings and you guys had a lot to say on the matter. So I decided to incorporate some of your suggestions into the sequel, 5 More Horror Movies With Horrible Endings (there’s also 5 Horror Movies With Amazing Endings if you’re feeling more positive)!

Head inside to check it out! And submit your comments for which bad endings should make the next round!

PARANORMAL ACTIVITY 4

Katie running around snapping people’s necks isn’t scary. PA3 had scares galore, but I’m hard pressed to think of a recent movie that left me as unsatisfied as this one. A suburban backyard filled with CGI witches? Come on! I’m not sure I like where the Paranormal mythology is headed. Ghosts are scary. Katie isn’t.

HAUTE TENSION

I tend not to nitpick about potential plot holes in films. For instance, I think it’s annoying when people complain about time travel logic in movies like Looper. But Haute Tension isn’t a time travel movie. It’s a straight-ahead narrative the plunges into a sea of absurdity when it asks you to believe that Marie is the killer. I wasn’t looking for plot holes here, they came looking for me.

THE RING (2002)

I’m going to get sh*t for this one. I love the first 2/3rds of The Ring, I really do. But it lost me when Samara physically manifests out of the TV. The whole thing was much more creepy when you somehow just ended up dead after watching the tape. For me, this is a clear cut case of “less is more.”

THE LAST HOUSE ON THE LEFT (2009)

A reasonably good remake except for 2 things. A rape segment that’s way more fetishized than it should be and the final scene of the movie. What? All things being equal Monica Potter and Tony Goldwyn are just going to blow up Garret Dillahunt’s head in the microwave like that? Just for the f*ck of it? They couldn’t think of anything else to do with him? Do microwaves even operate in that manner?

FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN

The whole movie is terrible, but that really starts to sink in once Jason actually gets to Manhattan. That’s when you realize there’s only 15 minutes left for the movie to make good on the promise of its title. Speaking of the title “take” is a bit of strong word, he sort of just mills about. On the heels of that disappointment we’re supposed to be okay with a line of exposition about how the city regularly floods the sewers with toxic waste? And then Jason is melted by said toxic waste and turns back into a kid? Okay, that last part might have been a hallucination by one of the characters (I think). Still, weak sauce.

Chime in with some of your bad endings so we can include them in the next one!

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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