News
Shark Sequel ‘Under Paris 2’ In Development At Netflix
French shark horror movie Under Paris became a huge hit for Netflix, so much so that Variety reports today that the streamer is developing sequel Under Paris 2 with director Xavier Gens and star Bérénice Bejo set to return.
While Under Paris broke records as the first non-English language film on Netflix with more than 102.3 million views, the shark horror movie’s post-apocalyptic ending offered an intriguing hook for continuation.
Bejo’s grieving activist character will return, alongside Nassim Lyes (“Mayhem!”) as the empathetic cop who also survived the first film.
In a recent interview with La Tribune, Bejo claimed the sequel will start filming in September 2025. Though Variety reports that this sequel is still in its earliest stages and not likely to shoot before 2026.
In Xavier Gens’ Under Paris, which swam its way onto Netflix on June 5, “Sophia, a brilliant scientist comes to know that a large shark is swimming deep in the river.”
Here’s a bit of a longer plot synopsis for this one…
“Set in Summer 2024, the film unfolds in Paris which is hosting the World Triathlon Championships on the Seine for the first time. Sophia, a brilliant scientist, learns from Mika, a young environmental activist, that a large shark is swimming deep in the river.
To avoid a bloodbath at the heart of the city, they have no choice but to join forces with Adil, the Seine river police commander.”
Gens did confirm with Variety about what to expect from a potential sequel, stating, “it will take place in a Paris that is entirely submerged under water.”
News
George A. Romero Foundation Founder Suzanne Desrocher-Romero Has Passed Away
All of us here at Bloody Disgusting are deeply saddened to learn that George A. Romero Foundation Founder and President Suzanne Desrocher-Romero has passed away.
GARF shared in a statement on socials, “It is with a heavy heart that we announce the passing of Suzanne Desrocher Romero. Suzanne passed away of natural causes on June 24 at her home in Toronto after a prolonged illness.”
The statement continues, “Suzanne was the fierce leader of the George A. Romero Estate and The George A. Romero Foundation. She worked tirelessly to preserve George’s legacy. Her work at the foundation will continue to inspire and live on for generations to come. The family asks for privacy at this time.”
Desrocher-Romero founded GARF in 2018, after her late husband’s passing in 2017, and has been a fierce advocate for his legacy and the arts. It was her mission to “strengthen horror as a serious field of global study,” and she was a tremendous fighter on behalf of Romero’s works and supporting new filmmakers inspired by his legacy.
It was Desrocher-Romero who spearheaded the recovery and restoration of The Amusement Park, and, as the person in charge of the George A. Romero estate, worked closely with author Daniel Kraus on completing unfinished novels like Pay the Piper and The Living Dead. She most recently celebrated the restoration of her favorite of Romero’s zombie films, Day of the Dead, and was hard at work producing the upcoming film Twilight of the Dead.
That passionate advocacy led to Suzanne Desrocher-Romero becoming family to Bloody Disgusting as well.
2023 marked the start of an ongoing partnership between Bloody FM and GARF on The Dead, a scripted audio series spanning multiple seasons that saw Desrocher-Romero working closely with the Bloody FM team and mentoring the series’s contributing writers with GARF. To say her loss will be felt internally is an understatement.
“Anytime George Romero is mentioned is good, because what we are doing is to provide a healthy legacy. We’re uplifting his legacy, we’re supporting the archive, and we’re also supporting the Horror Study Center. So, all of these three things are what the Foundation is striving to do. As far as I’m concerned, the more we say George Romero’s name, the better it is,” Desrocher-Romero recently told BD.
It’s the perfect encapsulation of her unwavering enthusiasm for supporting Romero’s legacy and the horror genre, and just a glimpse at how much she contributed to preserving it. She is, in short, an inspiration.
We send our deepest condolences to Suzanne Desrocher-Romero’s family, friends, and GARF.

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