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[Podcasts] Emile Hirsch Brings His Tarantino Impressions and Sci-fi Inspired Music to The Boo Crew

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Emile Hirsch (Into The Wild / Speed Racer) has certainly kept busy over the years choosing a bevy of interesting genre roles and projects, from William Friedkin’s psychotic bloodbath Killer Joe opposite Matthew McConaughey, to non trad indie flicks like 2018’s mysterious Freaks or horror director Ivan Kavanagh’s gothic western Never Grow Old.

Most recently the world saw him on screen playing Sharon Tate’s ex, Jay Sebring, alongside Margot Robbie, Brad Pitt and Leonardo DiCaprio in Once Upon A Time In Hollywood.

“Believe it or not, I was on Facebook and I got a Facebook message from this account that’s like, this is Quentin Tarantino,” he explains. “Him and Eli Roth had watched the Autopsy of Jane Doe together and Quentin just loved it. He saw it and was like, that’s my Jay.”

During the latest episode of the Bloody Disgusting’s Boo Crew Podcast, Emile reflects on Autopsy, the tremendous 2016 creeper sculpted by Scary Stories To Tell In The Dark director, Andre Ovredal.

“He really wanted to do this script which was very scary, by Richard Naing and Ian Goldberg. To the point where I couldn’t even rehearse it at home alone.”

Upcoming projects from Hirsch include the just announced Midnight In The Switchgrass, where he will play a Florida State officer teaming up with two FBI agents (Megan Fox and Bruce Willis) to investigate a string of unsolved murders, the demonic cult flick Son, and a return to his starring role in the Emmy winning, animated world of Guillermo del Toro’s Trollhunters.

“There’s a whole movie that they’re making now that I am still recording on. It’s very cool. Guillermo’s really excited about it and I’m honored to be a part of it. His vision is amazing.”

The actor is also a purveyor of neon-soaked, sci fi inspired music. Emile and his collaborator Mathieu Carratier released MNEMONIC, a 15 song album at the tail end of this past year by their project known simply as HIRSCH.

“Mathieu, I had already known for years,” Emile explains. “He had made a song in (the Luc Besson film) Valerian. The end song “A Million On My Soul” which I friggin’ LOVED. I told Mat how much I loved it and then Mathieu was like, maybe we should try a song.”

“…and then we started to work together and we kind of had a very simpatico drive to do things. Very similar tastes. We ended up just going for a year straight.”

HIRSCH is entirely DIY, consisting of Emile and Mat, a computer and no record label. Their cinematic soundscapes have been compared to Kavinsky’s work on the Drive soundtrack and a handful of them have already made Spotify’s revered, “New Alt” playlist.

“We wanted to do something that you could listen to after listening to Fight Club,” Mat says.

When asked about taking their music to a live audience, Carratier responds, “I feel like right now we are enjoying making it so much. This week we are making three songs. When you have the juice, you know, the inspiration, you kind of want to ride it until you are completely empty and you’re like yeah, maybe let’s do a show.”

Until then you can check out the track The Year 2000, the video for Love Is Real co-starring Kate Bosworth, and their new single Casual Animal after the jump.

Listen to the full conversation with Emile Hirsch on the Boo Crew Episode 105 wherever you get podcasts!

Follow HIRSCH on:

Instagram: @emilehirsch
Twitter: @emilehirsch
YouTube: HIRSCH

Follow The Boo Crew on:

Instagram: @talesfromtheboocrew
Twitter: @talesfromtheboo

Podcasts

A Little Fear of Penetration in David Cronenberg’s ‘eXistenZ’ [Horror Queers Podcast]

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Game Loop.

Trace and I inadvertently bookended our April discussions of John Landis’ An American Werewolf in London (listen) and Ciarán Foy’s Eli (listen) with Jude Law films. At the start of the month, we tackled Matt Damon’s Italian grifter in The Talented Mr. Ripley (listen) and now we’re closing out April with David Cronenberg‘s eXistenZ (1999).

The unofficial sequel to Videodrome (listen) and precursor to Crimes of the Future, eXistenZ takes place in the world of  virtual reality and simulation. Game goddess Allegra Gellar (Jennifer Jason Leigh) is forced to go on the run with PR nerd Ted Pikul (Jude Law) through the Canadian backwoods when ‘Realist’ terrorists declare open season on her life.

Featuring no shortage of strange encounters and oddball characters, including Willem Dafoe‘s queer-coded Gas and Canadian film royalty like Don McKellar and Sarah Polley, Allegra and Ted must travel between the real world and the game world, all the while keeping track of who is friendly…and who is foe.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicGoogle Podcasts, and RSS.


Episode 279: eXistenZ (1999) feat Vannah Taylor

Lube up your industry standard bio-port because we’re playing David Cronenberg’s eXistenZ (1999) with someone friendly: Vannah Taylor!

David Cronenberg’s meditation on the dangers of gaming and simulation is the middle entry of an unofficial trilogy. It’s also a film that gets real confusing, real fast, so good luck figuring out if we’re still in the game!

Plus: criticisms of a “bland” game world, praise for Jennifer Jason Leigh, Canadian royalty, comparisons to Serenity, disgusting gristle guns, and Pikul getting his back blown out (several times!)


Cross out eXistenZ!

Coming up on Wednesday: We’re continuing our celebration of 1999 films with a look at Stephen Sommers’ bisexual awakening, action adventure film, The Mummy (1999).

P.S. Subscribe to our Patreon for over 306 hours of Patreon content including this month’s new episodes on Hannibal S01E04, Late Night with the DevilThe First OmenFemme, Abigail and a brand new audio commentary on the original The Omen (1976).

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