Horror Reviews
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[Sundance Review] ‘Bitch’ is an Insane, Hilarious, and Heartfelt Dark Comedy
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[Sundance Review] Jordan Peele’s ‘Get Out’ Gets it Right!
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[Sundance Review] ‘Snatchers’ Would Make Sam Raimi Proud!
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[Review] “Resident Evil 7” Sets a New Standard for Survival Horror!
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[Sundance Review] In ‘Killing Ground’, the Australian Hills Have Eyes!
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[Review] ‘Split’ is a Tense and Moving Thriller
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[Sundance Short Review] ‘Fucking Bunnies’ is a Hilarious Dark Comedy
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[Review] ‘Bornless Ones’ Is ‘Evil Dead’ With New Tweaks
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[Review] ‘The Bye Bye Man’ — The “Why Why Was This Made Man”
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[Review] ‘The Bye Bye Man’: Don’t Think It. Don’t Say It. Don’t See It!
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[Review] ‘Underworld: Blood Wars’ Is a Marginal Improvement Over Its Predecessor
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[Review] ‘Underworld: Blood Wars’ Entertains, but Ultimately More of the Same
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[Review] ‘Hunting Grounds’ Packs the Bigfoot, Forgets the Writing
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[Blu-ray Review] Arrow’s ‘Hellraiser’ Scarlet Box Has Such Sights to Show!
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[TV Review] “Salem” Episode 3.06: ‘Wednesday’s Child’
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[Review] ‘Pitchfork’ Provides Predictably Cheesy Thrills
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[Review] NECA’s Ultimate Ash Isn’t As Ultimate For Some, But Is Still Groovy
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[TV Review] “Salem” Episode 3.05: ‘The Witch is Back’
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[Review] ‘Hotel Of The Damned’ Filled With Clichéd Vacancies
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[TV Review] The “Paranormal Lockdown” Season 2 Premiere is Genuinely Thrilling!
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[Review] An Engaging Premise Can’t Save ‘Incarnate’ From Mediocrity
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[TV Review] “Salem” Episode 3.04: ‘Night’s Black Agents’
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[Review] ‘Dearest Sister’ is a Gothic Nightmare of Greed and Mistrust
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[Review] ‘Shin Godzilla’ is Not Only the ‘Godzilla’ Film That We Deserve, But Also the One That We Need