Horror Reviews
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[Blu-ray Review] 30 Years Later and ‘Night of the Creeps’ Still Thrills Me
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[Blu-ray Review] Basil Rathbone Gets His Mad Scientist on in ‘The Black Sleep’
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[Review] ‘Darling’ is Boiled Down Paranoia Horror That Grabs Ahold and Doesn’t Let Go
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[TV Review] “iZombie” Season 2 Finale: ‘Dead Beat/Salivation Army’
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[Review] ‘Decay’ is a Beautiful and Lonely Debut
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[Blu-ray Review] ‘Trailer Trauma’ Offers a Wonderful Collection of Cult Trailers
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[Review] ‘The Phoenix Incident’ Charms With Shallow Thrills
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[Review] ‘Hush’ Makes the Most of Its Terrifying Premise
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Deftones ‘Gore’ is a Disappointing Release (Album Review)
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Toast is Ridding the World of Ugly Gadgets
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[Review] Face the Unexplained in the ‘Strange Septembers’ Documentary
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[Blu-ray Review] 88 Films Delivers the Ultimate ‘Zombi 3’ Release
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[TV Review] “iZombie” Episode 2.17: ‘Reflections of the Way Liv Used To Be’
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[Review] ’13 Cameras’ is a Disturbingly Impressive Debut
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[DVD Review] ‘Tango of Perversion’ is the Sleaziest of All Dances
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Iamthemorning’s ‘Lighthouse’ is the Soundtrack to a Dark Fairy Tale (Review)
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[DVD Review] ‘All Hell Breaks Loose’ is a Wild Ride
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[TV Review] “iZombie” Episode 2.16: ‘Pour Some Sugar, Zombie’
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[Review] We Worship Hulu’s Cult Series, “The Path”!
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[Review] ‘The Girl In the Photographs’ is a Bittersweet Popcorn Thriller
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[Review] Wes Craven Deserves Better Tribute Than ‘The Girl In the Photographs’
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[Blu-ray Review] ‘Sonny Boy’ is a Strange Look at Parenting
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‘Underdread’ Review: Underdeveloped, Underwritten, and Underwhelming
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[Review] ‘They’re Watching’: A Botched Opportunity with a Gonzo Ending