Horror Reviews
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Rob Zombie’s ‘Electric Warlock Acid Witch’ is Fun But Conflicted (Review)
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[Blu-ray Review] ‘The Incredible 2-Headed Transplant’ is a Fun Take on ‘Frankenstein’
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[Review] Chad Archibald’s ‘Bite’ Will Make Your Skin Crawl
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[Review] ‘The Horde’ is an Action-Horror Guilty Pleasure
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[Blu-ray Review] Scream Factory Delivers the Ultimate ‘Texas Chainsaw Massacre Part 2’ Release!
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Jimmy Reviews ‘Green Room’ (Video)
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[Review] ‘Sacrifice’ is a Compelling Yet Predictable Thriller
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[Blu-ray Review] ‘The American Horror Project – Vol 1’ Sheds Light on Lesser Known American Horror
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[Review] ‘The Reflecting Skin’ A Portrait of American Gothic Awry
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[Tribeca Review] ‘Fear, Inc.’ Forgets to Scare
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John Carpenter’s ‘Lost Themes II’ is a Delight (Review)
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[Review] ‘Tabloid Vivant’ is a Weird and Surreal Gem
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[Review] ‘Criminal’ Is a Violent, Trashy, Spy-Fi Actioner
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[Review] ‘Holidays’ is the Epitome of Mixed Bags
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[Blu-ray Review] 30 Years Later and ‘Night of the Creeps’ Still Thrills Me
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[Blu-ray Review] Basil Rathbone Gets His Mad Scientist on in ‘The Black Sleep’
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[Review] ‘Darling’ is Boiled Down Paranoia Horror That Grabs Ahold and Doesn’t Let Go
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[TV Review] “iZombie” Season 2 Finale: ‘Dead Beat/Salivation Army’
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[Review] ‘Decay’ is a Beautiful and Lonely Debut
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[Blu-ray Review] ‘Trailer Trauma’ Offers a Wonderful Collection of Cult Trailers
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[Review] ‘The Phoenix Incident’ Charms With Shallow Thrills
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[Review] ‘Hush’ Makes the Most of Its Terrifying Premise
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Deftones ‘Gore’ is a Disappointing Release (Album Review)
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Toast is Ridding the World of Ugly Gadgets