Horror Reviews
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‘Underdread’ Review: Underdeveloped, Underwritten, and Underwhelming
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[Review] ‘They’re Watching’: A Botched Opportunity with a Gonzo Ending
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[TV Review] “iZombie” Episode 2.15: ‘He Blinded Me With Science’
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[DVD Review] ‘Flesh For the Inferno’ Will Make You Want to Burn
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[SXSW Review] You’ll Want to Play In ‘Carnage Park!’
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[SXSW Review] ‘Johnny Frank Garrett’s Last Word’ Should Have Been a Warning About This Movie
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[Review] Daniel O’Meara is Perhaps Too Crazy In ‘Deadly Famous’
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[Review] Despite Michael Madsen, ‘Death In the Desert’ is Uninspired
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[SXSW Review] An Emotional and Haunting Film Awaits You ‘Under the Shadow’
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[SXSW Review] ‘Pet’ Practically Proves to Be the Perfect Midnight Movie!
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[SXSW Review] You May Not Like What You See When ‘Jack Goes Home’
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[SXSW Review] ‘Beware the Slenderman’ Will Terrify You, But Not In the Way You Might Expect…
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[SXSW Review] An Emotional Payoff Almost Makes All of ‘The Good Neighbor’ Worthwhile
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[Review] The Weirdness of ‘Curtain’ Won’t Be to Everyone’s Tastes
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[Short Film Review] ‘Guy’s Trade’ Has Bite!
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[SXSW Review] ‘In A Valley of Violence’ Is a Noble Non-Genre Effort From Ti West
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[SXSW Review] ‘I Am Not a Serial Killer’ Is a Moody and Creative Thriller!
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[SXSW Review] ‘Hush’ Shows How Silence Is Most Frightening Tool Of All
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[SXSW Review] ‘Another Evil’ Is a Tonal Mess With Strong Lead Performances
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[SXSW Review] Fede Alvarez’s ‘Don’t Breathe’ Is Like Hitchcock On Crack!
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[Review] Ambitious ‘A Haunting in Cawdor’ Underwhelms in the End
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[Blu-ray Review] Dolph and Lee Take On the Yakuza In ‘Showdown In Little Tokyo’
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[Review] ’10 Cloverfield Lane’ Applies Pressure to Near Eruption
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[Review] ‘Landmine Goes Click’ Won’t Click For Everyone’s Thrills