Horror Reviews
-
[Comic Book Review] “Cutter” #3 Skillfully Channels the Revenge Genre
-
[Comic Book Review] “Criminal Macabre: The Third Child” #2 is Deeply Emotional
-
[Album Review] At The Gates ‘At War With Reality’
-
‘The Evil Within’ Review: Running Scared
-
[TV Review] “Penny Dreadful” Episode 1.2, ‘Séance’
-
[MHHFF Review] Argentina’s ‘Still Life’ Is an Uneven Slasher-Mystery
-
‘Silence of the Sleep’ Review: One Man Freakshow
-
[TV Review] “The Walking Dead” Episode 5.1, ‘No Sanctuary’
-
Scream! Factory Has Unleashed the ‘Nightbreed’ Collector’s Edition!
-
[TV Review] “Penny Dreadful” Episode 1.1, ‘Night Work’
-
[Review] ‘Town That Dreaded Sundown’ Is a Mixed Bag
-
Marvel’s “AXIS” #1 – Two Perspectives on The Huge Event Comic
-
[Comic Book Review] Reading “Birthright” #1 Is Your Destiny
-
[Comic Book Review] Coffin Hill #12 Has Incredible Imagination!
-
[TV Review] “AHS: Freak Show” Episode 4.1, ‘Monsters Among Us’
-
[Review] ‘Lost Soul’ Is a Fascinating Trip Back to Richard Stanley’s ‘Island of Dr. Moreau’
-
[Comic Book Review] “The October Faction” #1 Disappoints Entirely
-
[Comic Book Review] “Dark Engine” #3 Impresses With Horrific Violence
-
[Comic Book Review] “Copperhead” #2 Still Has Some Growing Pains
-
[Comic Book Review] “Aliens VS Predator: Fire & Stone” #1 Is Insanely Immaculate
-
[5 Skull Comic Book Review] “Dark Ages” #3 Is An Instant Classic
-
[Comic Book Review] “Wytches” #1 Stumbles, but Holds Promise.
-
[Review] ‘My Name Is ‘A’ By Anonymous’ Is Thought-Provoking, But Polarizing
-
‘Doorways: The Underworld’ Review: New Tricks