Horror Reviews
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[Review] “Fade to Silence”: An Ambitious Struggle to Survive
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[Review] ‘Bliss’ is a Hallucinogenic Trip into Blood-Drenched Madness!
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[Tribeca Review] Ambitious ‘Knives and Skin’ Emphasizes Style Over Narrative
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[Review] ‘Room for Rent’ is an Unremarkable Character Study
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[Review] ‘Mortal Kombat 11’ is a Bloody Great Fighter With Some Minor Flaws
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[Review] ‘World War Z’ is a Slight But Entertaining Apocalyptic Shooter
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[Review] ‘I Trapped the Devil’ Brings Satanic Paranoia to Yuletide Thriller
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[Review] ‘The Curse of La Llorona’ Scares Up Its Own Space in ‘The Conjuring’ Universe
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[Review] ‘The Padre’ is a Throwback Survival Horror That Needs to Exorcise a Few Demons
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[Review] ‘Scary Stories’ Documentary is a Fascinating and Loving Examination of the Iconic Book Series
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[Chattanooga Review] Bleak ‘Harpoon’ Gets *Really* Nasty
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[Review] ‘High Life’ is a Heady Meditation on Horrors of Deep Space Isolation
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[Review] Netflix’s Surprise-release Blumhouse Horror Movie ‘Thriller’ Forgets to Thrill
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[Review] Ambitious ‘Hellboy’ Feels Like a Monster Mashup of ‘90s Horror
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[Review] ‘The Silence’ is a Joyless and Forgettable Killer Bat Horror Movie
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[Review] ‘Outward’ is a Rough and Overwhelming Survival RPG, But Can Be a Rewarding Experience
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[Book Review] ‘The Lady from the Black Lagoon’ Shines an Essential Light on ‘Creature’ Designer Milicent Patrick
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[TV Review] The Dark Lord Gives Part 2 of “Chilling Adventures of Sabrina” Darker Focus and Confidence
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“The Walking Dead” Ends Excellent Season 9 With One of the Coolest, Most Unique Episodes to Date
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[TV Review] There’s Plenty to Die For in “Santa Clarita Diet” Season Three
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[TV Review] Jordan Peele Ushers in the Perfect New “Twilight Zone” for Our Nightmare Reality
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[Review] ‘Sekiro: Shadows Die Twice’ is a Beautiful, Brutal Ballet of Butchery
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[Blu-ray Review] We Are Whacko for Greydon Clark’s ‘Wacko’
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[Review] Simon Pegg and Nick Frost Deserve Better Than ‘Slaughterhouse Rulez’
