Cannes 19
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[Review] ‘The Lighthouse’ is a Nightmare at Sea
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[Cannes Review] ‘Parasite’: How Bong Joon-Ho Gets Under Our Skin
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MPI’s Dark Sky Possessed By ‘In the Trap’ [Cannes]
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Cinedigm Acquires ‘Madness in the Method’, Which Reteams Jason Mewes and Kevin Smith
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Invasion Film ‘Slash/Back’ Will Bring Aliens to the Arctic!
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Rock Salt Releasing Selling South African Horror ‘8’ at Cannes
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“American Horror Story” Star Becomes High Priest of ‘The Initiation’
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‘The Nest’ Smothered by an Overprotective Mother [Cannes]
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‘Immortal’ Communicates with the Dead at Cannes
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‘Ferocious Wolf’: Spanish ‘Big Bad Wolves’ Remake Finds its Star
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‘Broadcast Signal Intrusion’ Described as ‘Zodiac’ Meets ‘Lost Highway’ by Way of Aphex Twin [Cannes]
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‘1922’ Filmmaker Taps ‘Chainsaw 3D’s Alexandra Daddario for ‘Celestial Blue’
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Vertical Entertainment Acquires ‘Reborn’, Starring Barbara Crampton
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First Official Photo from ‘The Fanatic’; Cannes Screening Canceled at the Request of John Travolta
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Life Finds a Way in First Look at Annbelle Wallis in ‘Warning’
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John Carpenter Honored With the Golden Coach Award at Cannes
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Horror Film ‘Motel Acacia’ Provides Shelter to Illegal Immigrants [First Look]
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‘Occupation: Rainfall’ Footage Invades Cannes; Ken Jeong Starring [Trailer]
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Charlotte Vega Will Battle “The Foundation” in Next ‘Wrong Turn’ Movie [Cannes]
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Lionsgate Acquires Ryuhei Kitamura’s Next Film in Which Ruby Rose Becomes an Ass-kicking ‘Doorman’ [Cannes]
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New Images from ‘The Dust Walker’ Spread Throughout the Desert
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Violinist Calls Upon Evil with ‘The Sonata’ [Cannes]
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First Look at Cult Horror ‘The Other Lamb’ [Cannes]
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Writer’s Country Home Turns to Hell in ‘Alone’ [First Look]