TV
Mike Flanagan’s Adaptation of Stephen King’s “Carrie” Officially Ordered by Prime Video
Prime Video has confirmed a series green light for “Carrie,” an eight-episode adaptation of Stephen King‘s 1974 novel produced by Amazon MGM Studios.
Mike Flanagan serves as writer and showrunner in addition to directing select episodes. This marks his fourth King adaptation, following Gerald’s Game, Doctor Sleep, and the upcoming The Life of Chuck.
Summer H. Howell (Curse of Chucky) is in negotiations to star in the titular role, while Siena Agudong (“Resident Evil”) has been cast as Sue Snell.
Misfit high schooler Carrie White has spent her life in seclusion with her domineering mother. After her father’s sudden and untimely death, Carrie finds herself contending with the alien landscape of public High School, a bullying scandal that shatters her community, and the emergence of mysterious telekinetic powers.
Described as “a bold and timely reimagining” of the story, the show is executive produced by Flanagan and longtime producing partner Trevor Macy.
“Carrie is an iconic story that has withstood the test of time with continued cultural relevance,” said Vernon Sanders, head of television, Amazon MGM Studios. “With Mike Flanagan at the helm and the accomplished team assembled including executive producer Trevor Macy this provocative series is sure to captivate our global customers.”
Production is expected to begin in Vancouver this summer.
Carrie was previously adapted by Brian De Palma in 1976, David Carson in 2002, and Kimberly Peirce in 2013.

Stephen King and Mike Flanagan
Interviews
‘Widow’s Bay’ Star Kate O’Flynn on Patricia’s Triumphant Final Girl Transformation
As the inaugural season of Apple TV+’s stellar new series “Widow’s Bay” barrels toward its finale in two weeks, the latest episode gives Kate O’Flynn the spotlight as her character revisits her trauma with the Boogeyman.
“Your Baggage“, directed by Andrew DeYoung (Friendship), sees O’Flynn’s scene-stealing Patricia once again renew her fight with the Michael Myers-like stalker that slaughtered her peers during her adolescence. Thrillingly, it makes for one extended chase sequence that sees Patricia trying to warn others, while evading the undead killer.
In short, this episode’s incredible riff on Halloween and the slasher subgenre transformed Patricia into a fierce Final Girl.
“Well, that felt like a bucket list that I didn’t know was on my bucket list until I did it, but when I did it, I just lapped up every minute,” O’Flynn tells Bloody Disgusting of her triumphant turn this episode. “It felt fantastic for her to get that moment where she is becoming a badass. That was amazing.”
The actress turned to a few notable references for her performance. “Horror-wise, I go back to my youth, which was referenced in some of the episodes: Wicker Man, Carrie, and Rosemary’s Baby, that sort of thing is my kind of vibe.”
O’Flynn also notes how the series’ unique tone allows for so much creative freedom to make bold swings. “There’s something very freeing about it. Every moment is up for grabs, so it’s like we don’t have to totally land in one direction or another. It keeps it alive.“
Patricia is the eccentric assistant to Matthew Rhys‘ Mayor Tom Loftis, who’s at the forefront of trying to solve the island’s pesky curse predicament. Rhys felt the same about “Widow’s Bay” and its rare ability to make you laugh and scream in equal measure, stemming from series creator Katie Dippold.
“The mandate was, ‘It’s a real world with real people. You play for real.’ There’s no playing for comedy or horror,” Rhys echoes O’Flynn’s sentiments on how freeing the series’ tone has been.
New episodes will release every Wednesday through June 17 only on Apple TV+.

Kate O’Flynn in “Widow’s Bay,” now streaming on Apple TV.
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