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Scares in the Snow: Seven Games That Embrace the Horrors of Winter

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Winter is a season often tied in with endings, death, sorrow, and the macabre. Leaves wither and die, trees stand aloft like forgotten skeletons of a bygone era, and the lush greenness of spring, summer, and fall is swapped with cloudy weather and heavy snowfall. Furthermore, winter drags the night—darkness—into earlier hours in the day. Daylight loses in the winter. Thus, winter has an inherent spookiness about it. Yes, it is quiet, peaceful, and brings about the holiday season, but it is also ushers in an unshakeable melancholy. Winter is the perfect setting for anything horror-related—longer nights means that monsters and ghouls and ghosts can prowl even longer.

Many video games capitalize on winter as a form of horror in and of itself, and without further ado, here are 7 of the best winter-set horror video games. I hope you brought a jacket (and maybe a flashlight or a shotgun, depending on the situation). 


7. Dead Space 3

Dead Space 3 is often seen as the black sheep of EA’s seminal third-person survival-horror series. But the bulk of its runtime takes place on a messed up, twisted version of Hoth. And, in the eyes of this writer, it may just be the scariest title in the series. It uses internal horror (the fractured mind of Isaac Clarke) to emphasize the horrific events going on around Isaac. Dead Space 3 broadens the horror canvas of the series and this expansion in scope and freedom-of-movement leads to some of the most unsettling moments in the series.

Many of these moments happen in broad daylight, where the sun reflects blindingly off of snow. Deep snow often hides unspeakable horrors and, in Dead Space 3, such horrors are often punctuated with torrents of blood and viscera. White snow turns red, but Isaac keeps moving onward and, well, what lies ahead is often scarier than what came before. 


6. Don’t Starve

Klei’s Don’t Starve—a survival game infused with the quirkiness of turn-of-the-century weird tales—is not wholly set during the winter, but the parts of the title that use winter are unforgettable in just how lonely and unforgiving they are. Many survival stories take place in the winter and Don’t Starve really emphasizes just how terrible it all is. You’re always cold, hungry, and that fire you built with sticks and damp underbrush will never be as warm as you want it to be. Few things are as scary as being stuck with no rescue in sight, your only ticket to freedom is to press on, to endure. Winter makes that 100x harder.

Frigid, dark, and unrelenting—winter may bring about beautiful landscapes, but buried beneath those snow-capped hills are the frozen bones of travelers who made one wrong turn. Also in Don’t Starve, you better be on your best behavior. Someone is making a list and checking it twice—Krampus is afoot. 


5. Silent Hill: Shattered Memories

The Silent Hill franchise is like a roller coaster. It has its ups and downs and, when it is at a peak, the series is often a fascinating take on psychological horror. Silent Hill: Shattered Memories is one such peak. Set in the town of Silent Hill, Shattered Memories feels like if the first game got steeped in perpetual winter. Everything is cold, frozen, and caked in snow. Ice sticks everything together. Nothing seems to move. It is almost like winter has bound the town of Silent Hill in place, but stranger things are afoot.

Time may be moving forward, it may not be, and everything starts to fold in on itself. Shattered Memories uses winter to evoke a sense of near-cabin-fever in the protagonist (and player, proxy) and untouched snow has a certain way of making one feel utterly and wholly alone. But there is always something watching, lurking just out of sight, and as snow fractures and compounds under the foot of the player, it does too for the otherworldly horrors around every corner. 


4. Dead Rising 4

Endless zombies, a mall, Christmas, a man with a chainsaw tied to a stop sign—Dead Rising 4 is exactly what it aims to be. There are zombies and you have weapons that kill them. What comes next? Violence, death, undeath. Dead Rising 4 has it all and it chooses a mall in a cold winter town as its setting. Christmas lights shine off of white snow and that light starts to fade as the snow turns red and becomes obfuscated under the growing piles of undead that Frank West leaves in his MacGyver-from-Hell-like wake. Dead Rising 4 leans into the inherent comedy and zaniness of horror and, like Evil Dead 2, does so with a wink and a nod.

Yes, it ain’t no Evil Dead 2, but there is just something oh-so-satisfying about vivisecting a zombie with a giant candy cane as Christmas music plays through Willamette mall’s crummy speaker system. 


3. Frostpunk

Frostpunk may not be the first game that comes to mind when you think of winter-set horror video games. It may not even be the second or third, but after playing it one will understand why it should come to mind. Frostpunk is a steampunk, apocalyptic city-building survival game where the world is beset with endless winter. Temperatures are uninhabitable and the only thing keeping your settlement alive is a giant heat-spewing generator. As the sun dims, these generators flicker to life in the long snowy dark. Cities live or die by how they’re planned around and citizens will do anything to keep the generators running.

But will you, the city planner, do anything? Frostpunk confronts players with harrowing choices such as using child labor to keep the city alive or turning entire populations away because you lack the resources to welcome them to your already-shaky society. The horror of Frostpunk comes through the choices it poses its players with, and those choices are born out of the dangers of winter. Furthermore, the title weighs heavy with an unshakeable nihilistic tone. Nothing is scarier than death and Frostpunk doles it out on a minute-to-minute basis. 


2. The Long Dark

Few video games are as unrelenting as Hinterland Studio’s The Long Dark. It is a realistic survival game set in the Canadian wilderness after some undefined global disaster. Players must eat, sleep, find warmth, and fend off wild animals. Winter is an unstoppable force and no game gets winter just as right as The Long Dark. It wraps the player in its cold embrace and refuses to let go—even after you starve, get gutted by a polar bear, and fall asleep in the cold never to wake up again. It feels like real winter and that is why it works so well as a horror title.

It is almost always dark and every aspect of The Long Dark feels unrelenting. Things may be going your way but then a wolf corners you and howls for its friends to join him. All you have is a lighter and a crudely sharpened stick. What will you do to survive?


1. Until Dawn

Until Dawn, by Supermassive Games, was released in 2015 to various degrees of praise. Using roughly the same gameplay and branching choice-based narrative structure of the all-too-flawed Heavy Rain, Until Dawn takes the branching narrative formula into the realm of 80s slasher ephemera. There are dumb teens, bad sex, bloody endings, and it is fun all the way through. Winter is a key character in Until Dawn—characters complain about the frigid cold, some get snowed into various locales, and there just might be something inhuman lurking beyond the white wall of falling snow. Until Dawn leans more into the dark fun of horror rather than sheer terror.

Things go bump in the night, but the overall atmosphere is rarely one of dread. Instead, it is just plain fun to see what awful endings the cruelest and yappiest of teens in Until Dawn can have, and on the flip side, it feels good to steer one’s favorite characters through the game relatively unscathed by the time the credits roll. Snow crunches, hot cocoa is made, and Until Dawn revels in the utter coziness and disparate isolation of winter—that is until some annoying teen comes into frame, says something eye-rolling, and then gets disemboweled. Sound familiar?


Honorable Mention: Donkey Kong Country: Tropical Freeze

Is Donkey Kong, a somewhat human-like gorilla who is always naked minus a tie, inherently scary? Yes, obviously. Whether it be the crippling collectathon horror of Donkey Kong 64, the gangly monstrosity that is Lanky Kong, or the memories of getting little-to-no sleep when my younger brother fell head-over-heels in love with Donkey Kong: Jungle Beat (damn you, bongos), Donkey Kong has always unsettled me. But the series’ great music and comedic character design have always brought me back around.

Enter Donkey Kong Country: Tropical Freeze. Here is a title that tested all of my platforming might (which is meager to begin with) and then laughed in my face as DK plummeted to his death time and time again. Ice, snow, and a, well, tropical freeze makes this title a winter video game and how such a cute game is so damn hard makes it all-too-scary.

Cole Henry is a Media Theory student who can usually be found drinking too much coffee, writing, running, or trying to get his friends to sit through all of The Wailing.

Editorials

Silly, Self-Aware ‘Amityville Christmas Vacation’ Is a Welcome Change of Pace [The Amityville IP]

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Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” 

After a number of bloated runtimes and technically inept entries, it’s something of a relief to watch Amityville Christmas Vacation (2022). The 55-minute film doesn’t even try to hit feature length, which is a wise decision for a film with a slight, but enjoyable premise.

The amusingly self-aware comedy is written and directed by Steve Rudzinski, who also stars as protagonist Wally Griswold. The premise is simple: a newspaper article celebrating the hero cop catches the attention of B’n’B owner Samantha (Marci Leigh), who lures Wally to Amityville under the false claim that he’s won a free Christmas stay.

Naturally it turns out that the house is haunted by a vengeful ghost named Jessica D’Angelo (Aleen Isley), but instead of murdering him like the other guests, Jessica winds up falling in love with him.

Several other recent Amityville films, including Amityville Cop and Amityville in Space, have leaned into comedy, albeit to varying degrees of success. Amityville Christmas Vacation is arguably the most successful because, despite its hit/miss joke ratio, at least the film acknowledges its inherent silliness and never takes itself seriously.

In this capacity, the film is more comedy than horror (the closest comparison is probably Amityville Vibrator, which blended hard-core erotica with references to other titles in the “series”). The jokes here are enjoyably varied: Wally glibly acknowledges his racism and excessive use of force in a way that reflects the real world culture shift around criticisms of police work; the last names of the lovers, as well the title of the film, are obvious homages to the National Lampoon’s holiday film; and the narrative embodies the usual festive tropes of Hallmark and Lifetime Christmas movies.

This self-awareness buys the film a certain amount of goodwill, which is vital considering Rudzinski’s clear budgetary limitations. Jessica’s ghost make-up is pretty basic, the action is practically non-existent, and the whole film essentially takes place in a single location. These elements are forgivable, though audiences whose funny bone isn’t tickled will find the basic narrative, low stakes, and amateur acting too glaring to overlook. It must be acknowledged that in spite of its brief runtime, there’s still an undeniable feeling of padding in certain dialogue exchanges and sequences.

Despite this, there’s plenty to like about Amityville Christmas Vacation.

Rudzinski is the clear stand-out here. Wally is a goof: he’s incredibly slow on the uptake and obsessed with his cat Whiskers. The early portions of the film lean on Wally’s inherent likeability and Rudzinski shares an easy charm with co-star Isley, although her performance is a bit more one-note (Jessica is mostly confused by the idiot who has wandered into her midst).

Falling somewhere in the middle are Ben Dietels as Rick (Ben Dietels), Wally’s pathetic co-worker who has invented a family to spend the holidays with, and Zelda (Autumn Ivy), the supernatural case worker that Jessica Zooms with for advice on how to negotiate her newfound situation.

The other actors are less successful, particularly Garrett Hunter as ghost hunter Creighton Spool (Scott Lewis), as well as Samantha, the home owner. Leigh, in particular, barely makes an impression and there’s absolutely no bite in her jealous threats in the last act.

Like most comedies, audience mileage will vary depending on their tolerance for low-brow jokes. If the idea of Wally chastising and giving himself a pep talk out loud in front of Jessica isn’t funny, Amityville Christmas Vacation likely isn’t for you. As it stands, the film’s success rate is approximately 50/50: for every amusing joke, there’s another one that misses the mark.

Despite this – or perhaps because of the film’s proximity to the recent glut of terrible entries – Amityville Christmas Vacation is a welcome breath of fresh air. It’s not a great film, but it is often amusing and silly. There’s something to be said for keeping things simple and executing them reasonably well.

That’s a lesson that other indie Amityville filmmakers could stand to learn.

2.5 out of 5 skulls

The Amityville IP Awards go to…

  • Recurring Gag: The film mines plenty of jokes from characters saying the quiet part (out) loud, including Samantha’s delivery of “They’re always the people I hate” when Wally asks how he won a contest he didn’t enter.
  • Holiday Horror: There’s a brief reference that Jessica died in an “icicle accident,” which plays like a perfect blend between a horror film and a Hallmark film.
  • Best Line: After Jessica jokes about Wally’s love of all things cats to Zelda, calling him the “cat’s meow,” the case worker’s deadpan delivery of “Yeah, that sounds like an inside joke” is delightful.
  • Christmas Wish: In case you were wondering, yes, Santa Claus (Joshua Antoon) does show up for the film’s final joke, though it’s arguably not great.
  • Chainsaw Award: This film won Fangoria’s ‘Best Amityville’ Chainsaw award in 2023, which makes sense given how unique it is compared to many other titles released in 2022. This also means that the film is probably the best entry we’ll discuss for some time, so…yay?
  • ICYMI: This editorial series was recently included in a profile in the The New York Times, another sign that the Amityville “franchise” will never truly die.

Next time: we’re hitting the holidays in the wrong order with a look at November 2022’s Amityville Thanksgiving, which hails from the same creative team as Amityville Karen <gulp>

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