Movies
[TIFF ’12 Review] Brad Finds ‘Thale’ Heavy On Bloat And CGI
Playing at TIFF this year is Thale, Aleksander Nordaas’ Norwegian horror film. In it, “Two crimes scene cleaners discover a mythical tailed, female creature in a concealed cellar. She never utters a word, unable to tell her tale herself, but the pieces of the puzzle soon come together; she’s been held captive for decades for reasons soon to surface. Someone is approaching from outside. They want her back.”
Brad (Mr. Disgusting) had a chance to check the film out at TIFF and he wasn’t exactly wowed. “While strong performances and bleak cinematography keep the film afloat, ultimately the bulk of the second act is less than engaging. It takes too long to get to the obvious revelation, which at one point escalates the film into full on terror mode. The audience does get to see some elder creatures, which deliver some violent retribution, but the heavy CGI hinders its impact and full potential.”
Click here for the full review! The Toronto International Film Festival runs from September 6th-16th.
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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