Movies
There’s Literally A ‘Kid In The Box’ In Twisted Teaser Trailer!
Gabriele Albanesi is back again with a sequel to his pretty insane Italian slasher The Last House in the Woods. Above we’ve added the official teaser for Kid In the Box, a twisted continuation that delivers everything the title promises.
“The sequel tells the story of the two children who had survived the end of the previous chapter: Giulio the cannibal kid and Andrea the torso kid without legs and arms. The film tells the bloody story of their odyssey through a world that will turn dark and unforgiving.”
The actors of this first teaser are the newcomer Rossella Schiuma and the two children Andrea Pittorino and Matteo Pastore. The cinematography in Red Camera is by Davide Manca. At the helm of the special effects is Sergio Stivaletti – here on his third partnership with Albanesi – and the music is by Claudio Simonetti (Deep Red, Suspiria, Phenomena) with an original score created specifically for this teaser.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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