Editorials
“The Walking Dead” Must Combat Declining Ratings By Breaking the Obvious Pattern
Herein lies the problem with only making certain episodes into event television.
As we told you just yesterday, AMC’s “The Walking Dead” is rapidly losing viewers in its current seventh season. Mind you, the show has still been holding steady at around 11 million viewers per episode these last several weeks – at the time of writing this post, we don’t yet have the numbers for this past Sunday night’s Tara-centric episode – but it’s nothing if not a tad bit alarming that the seventh season has seen the sharpest episode-to-episode decline in the show’s history. Furthermore, the current episode ratings are the lowest the hit zombie series has posted since Season 3 back in 2013.
Of course, there are likely a multitude of reasons why the ratings are dropping – some have suggested that the brutal season premiere was just too much, while others feel that Negan hasn’t lived up to the hype as a villain – and if you asked individual viewers, you’d probably get different answers to explain why they’ve decided to tune out. This season’s fractured storytelling certainly isn’t doing much to help matters, nor are the tonal issues, and we’ve got a strong feeling that an extended episode about Tara this past Sunday night wasn’t exactly what viewers needed to pull them back in. Needless to say, the series hasn’t quite been able to capitalize on the game-changing Season 7 premiere in a very compelling way.
But in order to really understand what’s going on here, I think we need to realize that the show’s recent ratings troubles aren’t exactly anything new. Granted, we’ve never seen this steady of a decline in viewership before, but looking at the episode-by-episode ratings chart found over on Wikipedia, it’s clear that there’s a definite pattern to the show’s ratings. And it’s a pattern that the show, by the very nature of the way it conducts business, has entirely brought upon itself.
As you can see in the ratings graph above, “The Walking Dead” tends to post its best ratings at the beginning, middle, and end of each season, and its worst whenever a season isn’t either coming or going. Naturally, TV shows are more must-see when they’re airing premieres and finales, but with “The Walking Dead” in particular, it seems that an increasing number of viewers are only really interested in the comings and goings. Why? Because “The Walking Dead” has consistently told them that those are the only episodes where big, must-see things are actually going to happen.
And viewers have started to catch on.
Whenever a season is beginning, ending, or being split down the middle with a mid-season finale, “The Walking Dead” tends to pull out the big guns and really get people talking, but the problem with this approach is that the episodes in-between tend to feel like filler – and that’s perhaps never been more true than it is right now, in Season 7. Mind you, longtime viewers of the show understand that those bottle episodes are hugely important in the grand scheme of things, building to big moments in a way that makes those big moments actually mean something – the Tara episode, for example, set up a new community of potential allies in the battle against Negan and made us care more about Tara, which will count when her life is on the line… so don’t go telling me it was an episode of pointless drivel – but it’s not hard to see why large swaths of viewers have decided to only tune in for those big events. When you don’t NEED to watch every week, what’s compelling you to watch every week?
So what’s the answer here? Does every single episode of each 16-episode season need to be shocking, game-changing, and full of action and excitement? No, and that’s really not how television works anyway – nor is that kind of storytelling what “The Walking Dead” has ever been about. It’s inherent to TV shows that there’s going to be episodes that inspire water cooler talk and others that exist as filler to pad out the story, but maybe what “The Walking Dead” needs to do is start showing us that big things can and will happen at random, rather than at the most obvious and expected times. Every episode doesn’t need to be a game-changer, but if those big episodes are sprinkled throughout each season rather than merely used as book-ends, viewers will likely start to realize that they need to tune in every week. And when you NEED to tune in, you tune in.
Take FOX’s “The Exorcist,” for example. We’ve been raving about the series for months here on Bloody Disgusting, and one of the big reasons we love the show so much is because it’s constantly shocking and surprising us with big events that we never possibly could’ve seen coming. Without spoiling it for anyone who’s not caught up, “The Exorcist” has now completely changed the game on at least two noteworthy occasions, first in Episode 5 and then in Episode 8. The twist in Episode 5 was a season finale moment if I’ve ever seen one, but by rocking our socks with it in a random episode midway through the season, FOX essentially told us that anything can happen at any time. And they delivered on that promise in Episode 8, bringing to the table another episode that felt like a season finale.
If regular episodes feel like finales, how crazy are the finales going to be?!
Mind you, “The Walking Dead” doesn’t always save big events for finales. Back in Season 6, we were out-of-nowhere teased with the death of Glenn in the third episode, and though it ended up being a fairly devious cliffhanger that didn’t at all play out the way it initially appeared to, it totally worked. The ratings spiked from Episode 3 to Episode 4, and Season 6 was all around the show’s overall highest-rated season to date. With the Episode 3 shocker, AMC made us feel like anything could happen at any time, and the aforementioned ratings graph shows that the tactic worked like a charm.
The reality is that viewers, tweeters, and website writers bemoan how boring “The Walking Dead” is every single season and yet they keep on coming back for more, so if I was AMC, I wouldn’t be too concerned about the declining ratings and all the negative think pieces. Again, this is a trend that has plagued every season of the show to date, but there’s maybe going to come a point – and we may already be there – where viewers are going to tune out and tune out for good. And the only real way for “The Walking Dead” to win the ship-jumpers back is by making them feel like they NEED to be in front of their TV every Sunday night. We need to feel like missing any given episode is simply not an option. And most importantly, we need to feel like every single episode could be the next big one. The next great one.
We need to be shown that we should always expect the unexpected.
Am I right, Rick?
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.
For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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