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‘The Haunted’: The Childhood Terror That Adapted the Smurl Haunting 34 Years Before ‘The Conjuring’
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‘Snakes on a Plane’ and the Simple Pleasures of Silly Horror Movies
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How ‘The Conjuring’ Universe Defined a Decade of Horror
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10 Years Later: ‘Paranormal Activity’ and the Effectiveness of a Simple Ghost Story
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Exploring the Voyeurism in Ti West’s ‘The House of the Devil’
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In 2018, the Trend of Horror Films Being Labeled “Not Horror Films” Continued… But Why?
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‘Boys in the Trees’: Celebrating Halloween with Bittersweet Magic
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A Tale of Two Lauries: Trauma in ‘Halloween H20’ and 2018’s ‘Halloween’
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[North Bend Film Fest Review]: ‘Don’t Leave Home’ is a Gothic Nightmare for a Modern Age
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[North Bend Film Fest Review] ‘Braid’ is a Hypnotic Tale of Horror and Make-Believe
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[North Bend Film Fest Review] ‘Sarah Plays a Werewolf’ is a Beautiful and Challenging Coming of Age Story
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[North Bend Film Fest Review] ‘Model Home’ is a Psychological Deconstruction of the American Dream
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Twenty Years Ago, ‘Halloween H20’ Brought the Franchise Back to Its Roots
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The Three Faces of ‘Carrie’s’ True Villain, Margaret White
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Celebrating Women In Horror Month with ‘XX’
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‘Final Destination’ – Death and the Inescapable Boogeyman
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Sweets to the Sweet – ‘Candyman’ Celebrates 25 Years
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Stephen King’s ‘Storm of the Century’ – Small Towns and Destructive Secrets