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Brenda Bates of ‘Urban Legend’ Is Feminine Rage Perfected [The Lady Killers Podcast]
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‘The Babadook’ Gave Rise to a New Wave of Introspective Horror Ten Years Ago
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‘Big Driver’ and ‘A Good Marriage’ Make a Dark Double Stephen King Feature [The Losers’ Club Podcast]
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‘The Frighteners’ Scares Up a Sexy Killer Couple [The Ladykillers Podcast]
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How Netflix’s Harrowing Movie ‘Society of the Snow’ Finds Hope in the Horror of Survival
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‘Daughters of Darkness’ Is Peak Erotic Horror [The Lady Killers Podcast]
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‘The Others’ Offers Compassion to a Murderous Mother [The Lady Killers Podcast]
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The 10 Scariest Urban Legends and the Horror Movies That Have Brought Them to Life
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Best of 2023: The 10 Most Memorable Horror Movie Villains of the Year
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‘Ready or Not’ Is a Bloody Confluence of Capitalism and Clue [The Lady Killers Podcast]
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Dario Argento’s ‘Deep Red’ Unwraps Murder Under the Christmas Tree [The Lady Killers Podcast]
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Coralie Fargeat’s ‘Revenge’ Is an Informed Evolution on the Rape-Revenge Subgenre [The Lady Killers Podcast]
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‘Oculus’ 10 Years Later: Mike Flanagan’s Early Days of Nihilistic Horror
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Bad Idea, Right? The Scariest and Most Toxic Friends in Horror
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‘I Know What You Need’: Julia Marchese on Maine, Monsters, and Directing a Stephen King Dollar Baby
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Religion and Death Collide in ‘Saint Maud’ [The Lady Killers Podcast]
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The Best and Scariest Femme Fatales of the 21st Century
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‘Biters and Bleeders’: Charlie Carson Monroe on Demonic Bed Bugs and the Beauty in the Grotesque [Interview]
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‘Silent Night, Deadly Night’ Novelization Review – A Sick, Superb Twist on a Holiday Classic
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‘The Craft’ Casts a Spell on Complicated Family Dynamics [The Lady Killers Podcast]
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Queen of Saw: Why Amanda Young Is Just as Important to the ‘Saw’ Franchise as Jigsaw Himself
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The 13 Edgar Allan Poe Stories to Read If You Loved “The Fall of the House of Usher”
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Heads Roll to a Femme Fatale in Tim Burton’s ‘Sleepy Hollow’ [The Lady Killers Podcast]
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10 Deep Cut Halloween Costumes for Hardcore Horror Fans