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‘Knives Out’ Review – A Hilarious Crowd-Pleaser With Sly Political Commentary
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[Horror Queers Podcast] Adopting a Child to Save the Gay Relationship in ‘Interview with the Vampire’
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[Horror Queers Podcast] Gentrification, Incest and Leather in ‘The People Under the Stairs’
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[Horror Queers] Boring Men and Bisexual Erasure in ‘Basic Instinct 2: Risk Addiction’
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[Horror Queers Podcast] Hacking Into The Gonzo Twists and Turns of ‘The Perfection’
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[Horror Queers Podcast] The Red & Blue Camp Aesthetic of LiLo’s ‘I Know Who Killed Me’
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[TIFF Review] Takashi Miike’s ‘First Love’ Deftly Balances a Mix of Genres and Outrageous Characters
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[TIFF Review] ‘The Vast of Night’ is a Nostalgic Ode to Fantastic Radio Dramas
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[TIFF Review] ‘The Antenna’ is an Ambitious Dystopian Propaganda Nightmare
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[TIFF Review] ‘The Vigil’ Introduces a New Kind of Jewish Horror
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[TIFF Review] ‘Joker’ Has a Remarkable Lead Performance Trapped in an Inevitable Plot
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[TIFF Review] ‘Synchronic’ Is a Daring, Go for Broke Sci-fi Original
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[Maple Syrup Massacre] Vincenzo Natali’s ‘Cube’ Blazed a Trail for Canadian Genre Films
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[TIFF Review] ‘Color Out of Space’ is a Narrative Slog With Yet Another Campy Cage Performance
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[TIFF Review] ‘Deerskin’ is an Absurd Dark Comedy About a Killer Coat!
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Unpacking the Polarizing Reactions to ‘As Above, So Below’ on Its Fifth Anniversary
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[Horror Queers Podcast] Lesbian Parenting in ‘Good Manners’
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[Horror Queers Podcast] Like, Fave and Subscribe To McKaylah’s Desire For Sadie In ‘Tragedy Girls’
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[Horror Queers] Bemoaning Unequal LGBTQ Sexy Time in ‘The Town That Dreaded Sundown’
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Celebrating ‘Grace’, the Bleak Mother of All Horror Films, On Its 10th Anniversary
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[Horror Queers Podcast] The Subversive Secret Queer in Family Film ‘ParaNorman’
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[Maple Syrup Massacre] Fort Mentality and Indigenous History in ‘Ginger Snaps Back: The Beginning’
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[Editorial] ‘The Collector’ Just Turned 10 Years Old and I Just Watched It for the Very First Time
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[Fantasia Review] The ‘DreadOut’ Videogame Adaptation Offers Dynamic Visuals and Repetitive Action
