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[Interview] ‘Prodigy’ Co-director Alex Haughey Talks About the Dangers of Preconceptions and Dehumanization
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[SXSW Interview] ‘The Ranger’s Roots in Punk, Self-Determination and Female Empowerment
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[SXSW Review] ‘The Ranger’ Is An Unabashedly Punk Slasher Throwback
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Why the Horror Trope of the Hard-Boiled Detective Protagonist Needs to End
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The ‘Cloverfield’ Problem: Has Cynicism Become the Series’ Scariest Monster?
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[Interview] Talking the ‘Hyper-Gremlinization’ of Reality With the Director of the Institute of Gremlins 2 Studies
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See No Evil: The Current Social Relevance of ‘The People Under the Stairs’
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Breaking the ‘Chain’: It’s Time for a Female Leatherface
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We Fed it After Midnight: What ‘Gremlins’ Says About Our Current Cultural Hellscape
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‘Resident Evil’ and ‘Until Dawn: Rush of Blood’: PSVR Immersion Takes Horror to New Levels
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[Review] “Friday the 13th: The Game” is a Killer Use of a Licensed Property
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Cut Away: A Cancer Patient’s Reflection on the ‘Saw’ Franchise
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“This is Appalling”: ‘Texas Chainsaw Massacre: The Next Generation’ as a Commentary on the State of Horror Circa 1993
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Mutants and Mirages: Why Nothing in That ‘New Mutants’ Trailer May Be as It Seems
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Cycle of Grief: The Missed Message at the Heart of ‘Blair Witch’