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A Pastoral Hell: Robert Mulligan’s ‘The Other’ (1972)
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[Review] Cupid Is a Coke-Snorting S.O.B. in Short Film ‘Q’
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[Review] ‘Restoration’ Finds Real Emotion in Supernatural Horror
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[Review] ‘They’re Watching’: A Botched Opportunity with a Gonzo Ending
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[Review] Ambitious ‘A Haunting in Cawdor’ Underwhelms in the End
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Festival Hit ‘They Look Like People’ Available NOW!
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8 Classic Film Noirs Every Horror Fan Should See
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A Look At the Afflictions of ‘The Witch’
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We Visit the ‘Pride and Prejudice and Zombies’ Sets in England!
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[Review] ‘The Revenant’ Is a Long, Rabid Road of Revenge
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Play ‘Harum Skarum’…I Dare You.
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[Review] ‘Sisters of the Plague’ Transcends Possession
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[MHHFF ’15 Review] ‘They Look Like People’: Powerful Psychological, Human Horror
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2015 Mile High Horror Film Festival Recap
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[MHFF ’15] ‘Phantom of the Opera’ 90th Anniversary Screening With Live Score!
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[Mile High Horror ’15 Review] ‘Night Fare’ Crumbles Under Own Seriousness
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[Mile High Horror ’15 Review] World Premiere: ‘Even Lambs Have Teeth’
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‘Excision’ & ‘Suburban Gothic’ Director Sets a ‘Trash Fire’
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[Halloween Horror Nights 25] John Landis Talks the ‘An American Werewolf in London’ Maze
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Halloween Horror Nights 25 Preview: Bigger and Bloodier Than Ever Before
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[Interview] Olivia Tennet and Milo Cawthorne Talk ‘Blood Punch’
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[Review] ‘Return to Sender’: Rosamund Pike is the Only Bright Spot in This Cheesy Thriller
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[Review] ‘The Curse of Downers Grove’: Fairly Entertaining Thrills from Bret Easton Ellis
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[Fantasia ’15 Review] ‘Orion’: A Taxing Fantasy/Sci-Fi Hybrid
