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[Fantasia ’15 Interview] Gabriel Carrer: Director of ‘The Demolisher’
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[Fantasia ’15 Review] ‘Possessed’: An Inventively Sadistic Claymation Trip to Hell
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[Fantasia ’15 Review] ‘Ojuju’: An Engaging, Funny Nigerian Zombie Film
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[Fantasia ’15 Review] ‘Synchronicity’ Does the Time Warp Again and Again and Again
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[Fantasia ’15 Review] ‘The Demolisher’: A Beautiful, Unconventional Vigilante Study
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[Fantasia ’15 Review] ‘Observance’: Pure Psychological Horror
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[Fantasia ’15 Review] ‘Cruel’: A Relentlessly Bleak Serial Killer Study
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[Fantasia ’15 Review] ‘Ludo’: Indian Bloodbath Lacks Cohesion
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[Fantasia ’15 Review] ‘Office’ Turns the Workplace Into a Horror Show
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[Fantasia ’15 Review] ‘Slumlord’: A Wicked Pervy Surveillance Thriller
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[Fantasia ’15 Review] ‘Un Homme Idéal’: A Hitchcockian Masterpiece of Suspense!
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[Fantasia ’15 Review] ‘Therapy For a Vampire’: A Clever Two-Fanged Comedy
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[Review] ‘Dude Bro Party Massacre III’ Is a Gut-Busting, Beer-Soaked Fever Dream
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[Review] ‘The Amityville Theater’ Is a Shoddy Mess
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[Review] ‘I-Lived’ Is An Uneven Techno-Horror Thriller
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[Review] ‘Felt’ Is a Powerful Psychosexual Horror Film
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[Interview] Joe Dante Talks ‘Burying the Ex’, ‘Eerie Indiana’, and ‘The ‘Burbs’!
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[Review] ‘Big Game’ Is a Triumphant Adventure!
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[Review] Eli Roth’s ‘The Stranger’: A Visually Striking Mess
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[SFF ’15 Review] ‘Let Us Prey’ Is Visually Stunning; Loses Steam Towards End
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[SFF ’15 Review] ‘The Boy’ Is a Great Argument for Birth Control
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[Interview] Ted Geoghegan Talks Bucking Trends While Honoring His Influences for ‘We Are Still Here’
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[SFF ’15 Review] ‘Shrew’s Nest’ Is Bloody, Bold, and Tragic
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[Interview] Tim Kirk Talks ‘Terror of Frankenstein’ & His Unique Approach to Films
