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[Special Feature] ‘Straw Dogs’ Presents The Top 10 Bloody Disgusting Scenes Of Normal People Losing It And Going Bat-sh*t Crazy! Part One!

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Sometimes there’s nothing more satisfying than seeing one of our heroes, or even just a regular guy, get pushed so far they absolutely snap. It reminds us that we’re not alone on the occasions that we’re full of rage and want to lash out. That’s why the movies are great! We can watch people do it for us so we don’t have to go to jail or actually hurt anyone!

Sony Screen Gems’ Straw Dogs (official website), a remake of Sam Peckinpah’s 1971 classic, arrives in theaters September 16. To say Dustin Hoffman `loses it’ in the original Straw Dogs would be an understatement, so if the remake is anything like it – and it probably is – expect James Marsden to have some seriously crazy blood on his hands by the time he leaves that country cottage.

In the reboot, “David and Amy Sumner (James Marsden and Kate Bosworth), a Hollywood screenwriter and his actress wife, return to her small hometown in the deep South to prepare the family home for sale after her father’s death. Once there, tensions build in their marriage and old conflicts re-emerge with the locals, including Amy’s ex-boyfriend Charlie (Alexander Skarsgård), leading to a violent confrontation.”

Hit the jump for PART ONE of our Straw Dogs sponsored compilation of people losing their cool on film!

Ash

10. SUPER (2011)

James Gunn’s Super is one of my favorite films of the year. Often described as Taxi Driver meets Kick Ass, I think a lot of people miss an element of what makes this film so relatable – it’s also “Curb Your Enthusiasm” with a pipe wrench. Sure Frank D’arbo doesn’t have the money, intelligence or sanity of Larry David but his outrage at those who break the social contract (and his outrage at what passes for the social contract) is more than palpable. Initially I was going to use a clip of him screaming “the rules” into Kevin Bacon’s face near the end of the film (which I actually find cathartic), but I feel this clip really shows where he begins to cross the line.

9. DRAG ME TO HELL (2009)

Sam Raimi’s Drag Me To Hell is one giant freak-out of a movie. Christine is pretty much losing her sh*t (and her anorexic mind if you subscribe to that popular theory) throughout the film. If you’ve ever worked in an office environment (or any environment) you’re aware that people are always out to throw you under the bus at every turn. When she yells at Stu, “keep your filthy pig knuckle off my desk!” she practically becomes the Norma Rae of post-pc office politics. Spewing blood on the boss is just the icing on the cake.

8. EVIL DEAD 2 (1987)

Two Sam Raimi freak-outs in a row. This may be one of the best examples ever of that horribly annoying “when life gives you lemons…” parable. The few times in my my life when I’ve been in this situation I’ve done the exact same thing. Skip to the minute mark to hear what I’m talkin’.

7. THE MIST (2007) (Spoiler)

Please don’t watch this if you haven’t seen Frank Darabont’s modern classic The Mist (hopefully in black and white), it’s the very end of the movie. This clip is sort of long, but you kind of need the build-up to really appreciate the abject madness Thomas Jane’s David Drayton is suffering through at the very end. This is a freak-out that will last the rest of his life.

6. SEVEN (1995) (Spoiler)

“What’s in the box?!” is, I suppose, what the kids call `a meme’ these days. But this scene is still incredibly effective and cruel. It’s a rare person that could put themselves in the shoes of Brad Pitt’s Detective David Mills and say they wouldn’t lose it like he does. Fun Fact: At one of the film’s test screenings David Fincher and Bob Shaye stood near the back of the theater. After the film was over they overheard an audience member declaring, “The people who made this movie should be killed.” Maybe they pushed someone else towards their own Falling Down moment.

BONUS – MATCHSTICK MEN (2003)

Very few people saw Ridley Scott’s Matchstick Men upon its release in 2003. If I had been in charge of the marketing campaign this quote would have been the tagline on every poster and billboard. The film would have made Avatar money.

Check back soon for PART TWO of this list!

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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