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[Interview] Stuart Gordon On ‘Dolls,’ ‘Re-Animator’ and More!

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Yesterday I was allotted the chance to spend a few minutes on the phone with Dolls director Stuart Gordon on the latest Blu-ray release from Scream Factory.

In the 1987 classic, a group of people stop by a mansion during a storm and discover two magical toy makers, and their haunted collection of dolls.

Here’s what he had to say about the new release.

What are your thoughts on Scream releasing Dolls? Was it something you had been waiting for?

I’m so happy it’s available on Blu-ray now. There was so much work that was involved, detail I mean. A lot of the animation is more noticeable.

Were all of the dolls made specifically for the movie?

Most of them were, a lot were characters. There were a lot that were just for background purposes. One time both of my daughters are on set and my youngest asked “Are all these dolls bad?” and I said, “Yeah, they all are” and she asked “Even this one?” and pointed to the doll with the white buttons. I asked if she wanted that one and she nodded so I told her, “That one isn’t bad, it just fell in with the wrong crowd.” So she took it home and named it Violet. She still has it.

Are you hoping to get any other films you worked on released through Scream?

[Excitedly] I just heard that next year they are going to be releasing Robot Jox! So I’m pretty happy about that, there is a lot of animation in that one too. That’s sort of an unknown one.

So what have you been working on lately? Any hope for a new movie soon?

Well, I’ve been doing a lot of work on the Re-Animator musical, we are going to be in Las Vegas coming up in January. I’m hoping to take it on a tour, we may be in New York again.

Any chance Jeffery Combs would do a special appearance?

[Laughs] No, he’s not in it. He still does a lot of acting in films.

Are you planning any other stage adaptations? From Beyond maybe?

Actually, I’ve been told to do a From Beyond musical before. Right now I want to focus on Re-Animator but it would definitely be interesting to do something for From Beyond.

Obviously you are known for your great adaptations of HP Lovecraft stories. Is there one in particular that you are still trying to get made?

I do have a script for “The Thing on the Doorstep” and I’d love to get that made. There just isn’t money for it right now.

Have you considered crowdfunding?

I have but I think it’s just too big of a movie to raise money for. We would like to get a wide release of it when/if it gets made. Hopefully one day.

Re-Animator is your most well-known movie in the genre but what do you consider your most successful?

Well people usually forget that I was involved with Honey, I Shrunk The Kids. It was the biggest success financially and I consider it a sort of horror movie. There are giant bugs and a mad scientist type character. It’s more of a family friendly horror. Even Honey, I Blew up the Kid has a Godzilla aspect to it, and then there is the question of how to stop a giant baby.

I never thought of them as horror movies but you make a good point. The ant scene still haunts me today.

[Laughs]

To wrap up, where can we find you in the near future?

Well, I’ll be in Las Vegas in January for Re-Animator and in March I will be in Ohio at Horror Hound with my wife. You should come introduce yourself!

Thank you! I will. Thanks for taking the time to speak with me and I’ll be keeping my fingers crossed for another movie.

Thank you, me too!

In addition to being an awesome filmmaker, Stuart Gordon is also the nicest guy in the world. I’ll be going out to see him in March for HorrorHound but in the meantime I must read The Thing on the Doorstep” and get out to see Re-Animator the Musical. Has anyone seen it? And here is the trailer for Robot Jox, apparently heading to Scream! Factory next year.

Jess is a Northeast Ohio native who has loved all things horror and fringe since birth. She has a tendency to run at the mouth about it and decided writing was the only way not to scare everyone away. If you make a hobby into a career it becomes less creepy. Unless that hobby is collecting baby dolls. Nothing makes that less creepy.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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