Editorials
Every Kill In The ‘Scream’ Franchise!
With MTV’s new “Scream” series airing its third episode tonight, we thought it might be fun to look back at all the carnage that has come out of Wes Craven’s franchise.
Below we have listed all 39 deaths(!) in the four films that make up the franchise (I know, it kills me too that it’s not an even 40).
Check out our previous “Every Kill” articles here!
Scream (7 Kills)
1. Steve Orth
Poor Steve got the most brutal death in the franchise (well, until Olivia in Scream 4, that is). Anything involving intestines spilling out is a pretty terrible way to go. It’s a pity we’ll never get the NC-17 cut of the film released showing extra intestines.
2. Casey Becker
The death that made Scream famous. As many of you know, Drew Barrymore was actually offered the role of Sidney, but she chose to play Casey instead, thinking that it would be a bigger surprise for the audience. Boy, was she right. I’ve always had a lot of respect for her after finding that out, since it shows that she actually cares about the people watching her movies.
3. Principal Himbry
The only reason Principal Himbry was killed was because the studio thought there was too much of a gap between kills, so they had screenwriter Kevin Williamson add this in for good measure. It’s not the most creative kill, but the eye shot is pretty cool!
4. Tatum Riley
Tatum’s death is arguably the best death in the entire Scream franchise. Sure, it’s not believable that a garage door could support a person’s weight (I’ve stopped a garage door just by grabbing on to it and pulling it down), but it’s clever nonetheless. Also, if you pause it at just the right moment, Rose McGowan’s head bust looks like Michael Jackson’s head when it’s mid-squish.
5. Kenny Jones
Poor Kenny. He tried so hard to be a good cameraman. Even in death, he still couldn’t do anything right because he just wouldn’t get off of Gale’s fucking windshield!
6. Stu Macher
While the “in your dreams” bit is kind of dumb, Stu had a deserved end at the hands of a television. It did not look very pleasant.
7. Billy Loomis
Billy’s death is one of the weaker ones in the franchise, if only because it’s not very original (though the stabbing by umbrella is fairly clever). Also, he could have survived if he would have just played dead and not jump-scared Sidney, Randy and Gale.
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!







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