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Bill Moseley Tells Us His Favorite ‘Possession’ Movies!

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Earlier this year, Jon Barkan wrote about The Possession Experiment, which at the time had released a new trailer that he dubbed, “…vicious, gory, and epic.

Scott Hansen’s film, featuring genre fav Bill Moseley,  is now available On Demand, Digital HD, and DVD through Momentum Pictures.

In the film a student takes on a theology project: to explore the dark world of exorcisms. He decides the only way to research this topic is to undergo an exorcism himself…

We caught up Moseley, who many of you will remember from House of 1,000 Corpses, The Devil’s Rejects  and Texas Chainsaw Massacre 2, to break down his five favorite “possession” movies!

         

  • The Shining: Stanley Kubrick’s take on Stephen King’s story of Overlook isolation and Jack Nicholson ‘s possession by unkind spirits (literally & figuratively). When the booze starts flowing, not even Scatman Crothers can save the day. What do they say about all work and no play?!
  • The Convent: Mike Mendez’s 2000 homage (?) to ‘Night of the Demons’, this low-budget gem celebrates the demonic possession of teenagers in an abandoned convent, complete with black light, Adrienne Barbeau, Coolio and yours truly as a stoned security guard!
  • Demons: Dario Argento gives us a night of mayhem & gorgeous gore when the audience is possessed by, well, demons in a haunted theater. Some awesome practical effects, music by Goblin, beautiful blinding colors and the delicious Geretta Geretta make this one a must-see.
  • Paranormal Activity: This seminal work reminds us that possession can take place in the suburbs just as easily as in an old dark house! Wonderful use of GoPro self-taping to prove that something creepy lives in the attic and wants to swallow someone’s soul. Scared the crap out of my girlfriend!
  • The Exorcist: The granddaddy of them all, this William Friedkin masterpiece is always somewhere in everyone’s Top 5 Horror Movies of All Time! Such an intelligent rendering of William Peter Blatty’s book, Linda Blair spewing pea soup all over Max Von Sydow and one of my favorite movie lines- “Your mother cooks socks in Hell!” Wait a minute, did I get that right?

Scott Hansen’s film stars Bill Moseley (House of 1,000 Corpses, The Devil’s Rejects), Chris Minor (“Edge”), Jake Brinn (“Glimpse”), Nicky Jasper (“Nocturne”) with KT Fanelli (“Pretty Bad Girls”).

The Possession Experiment tells the story of Brandon (Minor), who has always been drawn to the supernatural.  So when asked to pick a topic to base his final world theology class project on, he decides to explore the dark world of exorcisms. Teamed up with three classmates, the group investigates a multiple homicide that they eventually discover was an exorcism gone horribly wrong. Brandon becomes obsessed with the event, and in a strange turn of events, decides the only way to research this topic is to undergo an exorcism himself.”

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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