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‘Citizen X’: A Serial Killer Story Too Dark for the Big Screen

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Citizen X

For years, all I could remember was a figure in the woods stabbing someone. It was so simple, and so cold. No fancy camera work. No overdramatic score. None of the sound effects you’re accustomed to hearing during these moments. Just the hollow sound of a knife entering and departing its destination over and over.

A quick Google search and I had my answer. The movie was 1995’s Citizen X. An HBO made-for-TV movie that must have been aired constantly at the time. They were very proud of this one, as they should have been. It’s a strange, sweeping movie. Part political and historical drama and part grizzly crime film. After re-watching, I realized there was a reason it stuck with me.

Citizen X is one of the most underrated serial killer movies ever made.


(Unfortunately) Based on a True Story

Citizen X hbo

Based on Robert Cullen’s book The Killer Department, Citizen X tells the story of one of the most sadistic serial killers of all time, Andrei Chikatilo (played by Jeffrey DeMunn) or “The Butcher of Rostov.” Over the span of twelve years, Chikatilo killed at least 53 people. Most of which were under the age of seventeen. He would find children and those with mental disabilities at Soviet Union train stations and lure them into the woods. There he would sexually assault, murder and mutilate their bodies in unthinkable ways.

In the film, a forensic analyst named Viktor Burakov (played to perfection by Stephen Rea) is tasked with capturing the killer despite having no experience as a detective. He’s given almost no resources as a committee of Soviet bureaucrats (including an absolutely terrifying Joss Ackland as Bondarchuk) believe serial killers to be a “decadent Western phenomenon.” They refuse to publicize the vast amount of children being found mutilated in the woods for fear of looking like they’re not in control. They also blame the problem on men practicing homosexuality in the country. They use the search for the killer as an excuse to find and prosecute homosexuals rather than catch the killer murdering their children.

As the years pass and the body count rises, Burakov begins to have a mental breakdown as he’s helpless and stonewalled by idiocy and political roadblocks at every turn. He wakes up in the middle of the night holding his own children and sobbing. He openly weeps in council meetings. The only member of the committee on his side is the man who hired him, Colonel Mikhail Fetisov (Donald Sutherland). He is inspired by Burakov and the two create a bond throughout the years as they tirelessly search for the killer despite the obnoxious and dangerous roadblocks presented by the politics around them.


The Disturbing Depiction of an Unthinkable Serial Killer

Chikatilo’s home life is depicted about how any psychologist would suspect. He’s a timid and cowering man, hunched over and eking his way through life. His wife demeans him both in front of his children and in the bedroom where he fails to perform. His bosses and coworkers intimidate and bully him. Usually these events are followed by him heading to a train station to find a new victim on whom to take out his repressed rage. There are many throughout the film.

Citizen X is fascinating in how it deals with presenting the graphic nature of these heinous crimes. It’s more disturbing because of what it doesn’t show. Scenes where he’s talking to a young boy followed by a close up of his mouth full of blood and flesh moments later are far more haunting than being forced to watch what took place in between. The murders that are shown are disturbing in their own right due to the aforementioned lack of overproduction. There’s a bitter, hollow realism to it that’s accentuated by the backdrop of the cold Russian scenery and lonely woods where these crimes take place. Everything in Citizen X feels all too real.

Sometimes it’s not the things we see but the things we hear. In the opening, when the first mass grave site is found, Burakov goes body to body recording his autopsy findings. In a gruesome verbal montage we hear the blow-by-blow details of the atrocities committed against each of Chikatilo’s victims as Burakov wipes tears from his face. These aren’t things that are easy to hear. The spoken words are more graphic than any gruesome scene in any Rob Zombie film.


A Satisfying Conclusion

Citizen X movie

Citizen X takes you down a surprising road of emotion; from obvious anger over these crimes to frustration at the way politics allowed them to continue. Everything is just so dark and grim as you watch body after body pile up and idiot after idiot let it happen. When the levee finally breaks for our characters, it’s extremely emotional. To watch Donald Sutherland as Colonel Fetisov break the news to Burakov that he’s finally in charge and able to help him catch the killer and be seen for his absolute iron will and resolve is a cathartic release for a very human character we’ve watched go to absolute hell and back. It’s truly one of the most underrated and earned character moments I’ve ever seen and will absolutely bring you to tears.

When the killer is finally captured, he refuses to confess and in another idiotic political loophole, will be released soon if they cannot convince him to admit to his crimes. Burakov and Fetisov bring in Psychiatrist Dr. Bukhanovsky (the great Max Von Sydow) to read the profile he created for the killer to Chikatilo.

Eventually, Chikatilo (with a fantastic and thankless performance from DeMunn that took a lot of guts), overwhelmed by the accurate accounts, breaks down and confesses. While doing so, he describes the sexual nature of his crimes. Including the abrasions on his own genitals from having to hurt himself to “achieve release.”

In a surprising ending, we quickly see Chikatilo marched into a shower room and told to look forward as a gun is put to his head. The gun goes off and in the absence of light the words “The End” coldly grace the screen. A movie that had been extremely matter of fact, void of bells, whistles or any sort of glamorization, ends the way it had lived.

Far closer in brutal earnestness to a movie like Henry Portrait of a Serial Killer than recent serial killer stories, Citizen X deserves to be mentioned among the best of all time.

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Editorials

Silly, Self-Aware ‘Amityville Christmas Vacation’ Is a Welcome Change of Pace [The Amityville IP]

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Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” 

After a number of bloated runtimes and technically inept entries, it’s something of a relief to watch Amityville Christmas Vacation (2022). The 55-minute film doesn’t even try to hit feature length, which is a wise decision for a film with a slight, but enjoyable premise.

The amusingly self-aware comedy is written and directed by Steve Rudzinski, who also stars as protagonist Wally Griswold. The premise is simple: a newspaper article celebrating the hero cop catches the attention of B’n’B owner Samantha (Marci Leigh), who lures Wally to Amityville under the false claim that he’s won a free Christmas stay.

Naturally it turns out that the house is haunted by a vengeful ghost named Jessica D’Angelo (Aleen Isley), but instead of murdering him like the other guests, Jessica winds up falling in love with him.

Several other recent Amityville films, including Amityville Cop and Amityville in Space, have leaned into comedy, albeit to varying degrees of success. Amityville Christmas Vacation is arguably the most successful because, despite its hit/miss joke ratio, at least the film acknowledges its inherent silliness and never takes itself seriously.

In this capacity, the film is more comedy than horror (the closest comparison is probably Amityville Vibrator, which blended hard-core erotica with references to other titles in the “series”). The jokes here are enjoyably varied: Wally glibly acknowledges his racism and excessive use of force in a way that reflects the real world culture shift around criticisms of police work; the last names of the lovers, as well the title of the film, are obvious homages to the National Lampoon’s holiday film; and the narrative embodies the usual festive tropes of Hallmark and Lifetime Christmas movies.

This self-awareness buys the film a certain amount of goodwill, which is vital considering Rudzinski’s clear budgetary limitations. Jessica’s ghost make-up is pretty basic, the action is practically non-existent, and the whole film essentially takes place in a single location. These elements are forgivable, though audiences whose funny bone isn’t tickled will find the basic narrative, low stakes, and amateur acting too glaring to overlook. It must be acknowledged that in spite of its brief runtime, there’s still an undeniable feeling of padding in certain dialogue exchanges and sequences.

Despite this, there’s plenty to like about Amityville Christmas Vacation.

Rudzinski is the clear stand-out here. Wally is a goof: he’s incredibly slow on the uptake and obsessed with his cat Whiskers. The early portions of the film lean on Wally’s inherent likeability and Rudzinski shares an easy charm with co-star Isley, although her performance is a bit more one-note (Jessica is mostly confused by the idiot who has wandered into her midst).

Falling somewhere in the middle are Ben Dietels as Rick (Ben Dietels), Wally’s pathetic co-worker who has invented a family to spend the holidays with, and Zelda (Autumn Ivy), the supernatural case worker that Jessica Zooms with for advice on how to negotiate her newfound situation.

The other actors are less successful, particularly Garrett Hunter as ghost hunter Creighton Spool (Scott Lewis), as well as Samantha, the home owner. Leigh, in particular, barely makes an impression and there’s absolutely no bite in her jealous threats in the last act.

Like most comedies, audience mileage will vary depending on their tolerance for low-brow jokes. If the idea of Wally chastising and giving himself a pep talk out loud in front of Jessica isn’t funny, Amityville Christmas Vacation likely isn’t for you. As it stands, the film’s success rate is approximately 50/50: for every amusing joke, there’s another one that misses the mark.

Despite this – or perhaps because of the film’s proximity to the recent glut of terrible entries – Amityville Christmas Vacation is a welcome breath of fresh air. It’s not a great film, but it is often amusing and silly. There’s something to be said for keeping things simple and executing them reasonably well.

That’s a lesson that other indie Amityville filmmakers could stand to learn.

2.5 out of 5 skulls

The Amityville IP Awards go to…

  • Recurring Gag: The film mines plenty of jokes from characters saying the quiet part (out) loud, including Samantha’s delivery of “They’re always the people I hate” when Wally asks how he won a contest he didn’t enter.
  • Holiday Horror: There’s a brief reference that Jessica died in an “icicle accident,” which plays like a perfect blend between a horror film and a Hallmark film.
  • Best Line: After Jessica jokes about Wally’s love of all things cats to Zelda, calling him the “cat’s meow,” the case worker’s deadpan delivery of “Yeah, that sounds like an inside joke” is delightful.
  • Christmas Wish: In case you were wondering, yes, Santa Claus (Joshua Antoon) does show up for the film’s final joke, though it’s arguably not great.
  • Chainsaw Award: This film won Fangoria’s ‘Best Amityville’ Chainsaw award in 2023, which makes sense given how unique it is compared to many other titles released in 2022. This also means that the film is probably the best entry we’ll discuss for some time, so…yay?
  • ICYMI: This editorial series was recently included in a profile in the The New York Times, another sign that the Amityville “franchise” will never truly die.

Next time: we’re hitting the holidays in the wrong order with a look at November 2022’s Amityville Thanksgiving, which hails from the same creative team as Amityville Karen <gulp>

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