Horror Editorials
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How ‘The Descent’ Reinvented the Final Girl for a Modern Era
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‘Rear Window’: A Classic Murder Mystery and Strangely Timeless Exploration of Isolation
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Clive Barker Almost Had His Own Disney Park (Yes, Really)
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The Horror Out of Space: How “Star Trek: The Original Series” Was Also an Influential Horror Show
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‘An American Werewolf in London’ and Its Iconic Transformation [It Came From the ‘80s]
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‘To the Devil… A Daughter’ Was One of the Better Post-‘Exorcist’ Satanic Horror Films [Hammer Factory]
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Stay Home, Watch Horror: 5 Single-Location Horror Movies to Stream This Week
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More Than Norman Bates: The Musical Career of Anthony Perkins
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Facing Fear During Times of Uncertainty – Guest Essay by Filmmaker Mike Flanagan
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From Niche to Mainstream: How A24 Created a Unique Market for Transgressive Horror
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Diving Into the Weird World of Fan-Made Horror Video Games
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The Masterful Use of Subtle Tension and Unnerving Detail in Karyn Kusama’s ‘The Invitation’
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Hoon-jung Park’s ‘The Witch: Subversion’ Brings Visceral Twist to a Superpowered Tale [VOD Picks]
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Unsettling and Startlingly Topical: ‘Rabid’ as Prototypical Cronenberg [Maple Syrup Massacre]
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All Joking Aside, 1986’s ‘Killer Party’ Remains a Fun April Fools’ Day Slasher Film
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How the ‘Bloodborne’ Comic Series Really Enriches the Game’s Lore
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‘Gremlins 2: The New Batch’ Remains One of the Best Pick-Me-Up Horror Movies [We Love ’90s Horror]
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“Emily is 12. And She’s Making a Zombie Movie.” – Revisiting ‘Zombie Girl: The Movie’ 10 Years Later
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‘Doom 64’ Feels Like a Low-Poly Tribute to Ray Harryhausen
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‘Stuck’: The Empathetic Horror of Stuart Gordon’s Final Film
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How ‘Bloodborne’ Does Lovecraftian Cosmic Horror Right
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Stay Home, Watch Horror: 5 Truly Scary Horror Movies You Should Stream This Week
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Toys Are Very Loyal: Stuart Gordon Embraced His Inner Child With ‘Dolls’
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10 Scary Good Horror Novels to Add to Your Reading List