Horror Editorials
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Orion Pictures Hosted a Pregnant Moms Screening of ‘The Prodigy’…and We Were There!
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History of Child Terror
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[Editorial] Why Rhythm-Action Game ‘Thumper’ is a Hypnotic Nightmare
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5 More Essential Horror Comics You Should Read
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[Second Chances] Twenty Years Later, is ‘Candyman 3: Day of the Dead’ as Bad as We Remember?
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[It Came From the ‘80s] Demons from Hell, Hair Metal, and ‘Black Roses’
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‘Annihilation’ and the Adaptive Legacy of H.P. Lovecraft’s “The Colour Out of Space”
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[Butcher Block] Tom Savini Delivers More Summer Camp Brutality in ‘The Burning’
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The Enduring Legacy of ‘Resident Evil 1.5’
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[Full Moon Frights] Jack Nicholson Becomes a Middle-Aged Werewolf in ‘Wolf’
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Why ‘Mortal Kombat Armageddon’ Was an Indulgent Last Hurrah For Klassic Kombat
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In Defense of ‘Virus’: Reflecting Back 20 Years Later
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[Editorial] Ranking the Films of M. Night Shyamalan From Best to ‘The Happening’
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The Definitive Guide to Stephen King’s Film and TV Adaptations
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‘He’s Out There’ and 5 More Hidden Horror Gems on Netflix
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[TV Terrors] 1990’s “Dracula: The Series” Was Lighter Horror Fare for Fans of ‘The Lost Boys’
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Heroes and Villains: A Primer for M. Night Shyamalan’s ‘Glass’
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How ‘Shaolin Monks’ Revived the ‘Mortal Kombat’ Franchise
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What a Waste (Land): Looking Back On 15 Years of ‘Fallout: Brotherhood of Steel’
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The 10 Scariest Female Villains in Horror!
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Nat Geo Wild’s “Dead by Dawn” is the First Great New Horror Show of 2019
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Exploring the Horror in ‘Undertale’
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[Second Chances] Revisiting “Damien,” A&E’s Short-Lived Attempt at Turning ‘The Omen’ into a TV Series
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[Editorial] As Horror Franchise “Remakes” Evolve, Let’s Talk About How to Classify Them