Horror Editorials
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Oscar Winners 2019: Bloody Disgusting’s All-Horror Edition!
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[Editorial] Ernest Dickerson’s Gonzo Horror Film ‘Bones’ Deserves a Cult Following
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[Horror Queers Podcast] Trace and Joe Discuss ‘Lyle’, a Lesbian ‘Rosemary’s Baby’
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‘Resident Evil 2’: Whose Campaign is the Best?
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[Butcher Block] Eli Roth’s Flesh-Eating Viral Frenzy ‘Cabin Fever’
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I’ve Read the ‘Hellraiser’ Treatments by Todd Farmer and Patrick Lussier [Exclusive]
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Driller Killer: Revisiting the ‘Slumber Party Massacre’ Trilogy!
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Underrated ‘The Hills Run Red’ Was an Excellent Meta Slasher That Deserved Its Own Franchise
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[It Came From the ’80s] Toxic Waste Mutant Schlock Monster ‘The Being’
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From Comics to the Crypt: A Look Back at EC Comics and its Horror Adaptations
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[Retrospective] For Better And For Worse: ‘F.E.A.R. 2’ Turns 10
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Killing the Teen Dream: Biting Into ‘Jawbreaker’ at 20
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[We Love ’90s Horror] ‘Tales from the Crypt: Demon Knight’ is an Undeniable Genre Classic
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[Editorial] ‘Resident Evil 2’ Showcases the Importance of Restraint in Horror Games
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[Editorial] Trailers for ‘The Prodigy’ and ‘Happy Death Day 2U’ Made Both Seem Like Less Interesting Movies Than They Actually Are
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“The Walking Dead” Tackled Domestic Abuse and Introduced Scary New Villain in the Excellent ‘Omega’
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[It Came From the ‘80s] Oscar Winning Makeup and Creature Effects Transformed ‘The Fly’
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The Man Behind Frankenstein’s Monster: Boris Karloff
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[Editorial] ‘Assassination Nation’ is a Brutal Feminist Juggernaut
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[Editorial] The Video Game Return of Two Undead Classics, Done in Different Ways
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How ‘Batman Arkham VR’ Became My Favourite Worst Nightmare
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‘Happy Death Day’ Heroine Tree Gelbman is the Perfect Survivor Girl for a Whole New Generation
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Celebrating the 13 Most Famous Cars in Horror!
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[Butcher Block] French Horror ‘In My Skin’ Gets Up Close and Personal with Self-Mutilation