Horror Editorials
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Records From the Dark: Six Under-the-Radar Albums to Check Out Immediately! [Haunted Riffs]
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10 Movies We Can’t Wait to See at This Year’s Fantasia International Film Festival!
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There is Something Rotten in the State of ‘Joshua’ [Formative Fears]
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‘House on Haunted Hill’ Will Live in Glorious Infamy for Its Over-the-Top Theatrics [Revenge of the Remakes]
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5 Tales of Beach Horror from TV Anthologies [Series of Frights]
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The Decade of Grief Horror: Reflecting on Shared Themes in the Horror Movies of the 2010s
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[Editorial] Facing the Horrors of Reality TV With ‘Series 7: The Contenders’
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‘Man Bites Dog’: The Controversial Mockumentary is Still a Disturbing Masterpiece 30 Years Later
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Netflix’s “Godzilla: Singular Point” Makes for a Bloated, Disappointing Experience [Anime Horrors]
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Stay Home, Watch Horror: 5 Claustrophobic Horror Movies to Stream This Week
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[Retrospective] Brian De Palma’s ‘Blow Out’ Is Still a Scream 40 Years Later!
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‘Strangeland: Disciple’ – Dee Snider Updates on the Planned Return of Captain Howdy [Phantom Limbs]
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Pure Celluloid Mayhem: Stephen King’s ‘Maximum Overdrive’ Turns 35
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‘Razorback’: A Beautiful, Brutal Eco-Horror from Down Under [Horrors Elsewhere]
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‘Terror in the Midnight Sun’ – The Monster Story That Defined “B” Movies in Sweden
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HBO’s “Room 104”: 6 of the Best Episodes for Horror Fans
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Slaves of Satan: Mario Bava, Barbara Steele, and ‘Black Sunday’ [Gods and Monsters]
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‘Fear Street’ Shines a Light on Horror’s History With a Patriarchal Society
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Stay Home, Watch Horror: 5 Road Trip Horror Movies to Stream This Week
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Celebrating ‘The Frighteners’ at 25 and Peter Jackson’s Magical World of Miniatures
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“Barbarella”: Mickey Fisher Recalls the Space Opera Television Series That Almost Took Flight [Phantom Limbs]
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Feelings Change: Anger, Fear, and ‘Possession’ in Andrzej Zulawksi’s Nightmare Divorce
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Haunted by Guilt in Kiyoshi Kurosawa’s ‘Retribution’ [Horrors Elsewhere]
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“Goosebumps”: R.L. Stine Brought Gateway Horror to the Small Screen in the ’90s [TV Terrors]