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[Voice Of Horror] Clive Barker’s ‘Lord Of Illusions’

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A few days ago I sat down and rewatched Clive Barker’s Lord Of Illusions, a film that I feel doesn’t get enough credit with many horror fans. I was first interested in this movie when I saw the poster for it at my local movie theater. Something about that image enticed me and it was always on my mind. When I was old enough, I rented the VHS and sat down to watch this supernatural-horror-meets-film-noir that I’d been eager to see for years. Much to my chagrin, it was awful. Full of plot holes and jarring edits, it was a mess of a film. Being a big Clive Barker fan, I was crushed.

A few years later I decided to give the film another shot, thinking that I had been too harsh the first time around. What I didn’t realize was that this time I had rented the Director’s Cut, not the theatrical version that I had previously seen. Suddenly, the film made sense and everything clicked. Again, while not a perfect piece of cinema, it became a much stronger, far more cohesive experience that allows it to hold up to multiple, very enjoyable viewings.

Perhaps one of my favorite aspects of the film is Simon Boswell’s engaging, unique, and beautiful score. Boswell also composed for such films as Phenomena, Bathory: Countess Of Blood, Demons 2, among others. It’s one of those scores that sticks in your mind, much like A Nightmare On Elm St. or The Exorcist.

Boswell deftly mixed terrifying, demonic choirs (such as in “Resurrection” and “God’s Eyes”), sexy jazz horns (“The Detective”), and surreal, ambient pieces (“What Are You Looking At”) as well as thrilling cues that were meant to evoke the experience of attending a magic show (“Flesh Is A Trap”, “Swann’s Last Act”). The combination of these themes and motifs makes Boswell’s score something of a journey. It is easy to join Harry D’Amour (Scott Bakula) as he tries to understand the connection between Phillip Swann (Kevin J. O’Connor) and Nix (Daniel von Bargen), all while trying to protect the beautiful Dorthea (Famke Janssen).

Boswell’s score, to this day, remains one of my favorite horror soundtracks.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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