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The “Let the Right One In” Pilot is Like “Dracula’s Seduction”
Euros Lyn is already hard at working filming the “Let the Right One In” pilot for TNT.
Forbes caught up with showrunners Jeff Davis, who penned the latest adaptation that’s more closely related to the book than feature films.
“[“Let the Right One In”] is an eerie drama about Henry, a young boy, long tormented by his classmates, who finds solace in a friendship with a charismatic vampire, Eli, who appears to be near his age. Thin and pale, Eli’s actual age is unknown. Lonely and friendless (for obvious reasons), Eli lands in an apartment building in Vermont, and soon begins a strange friendship with Henry, an equally lonely 16-year-old boy who has no idea what kind of creature he’s dealing with.”
Kristine Froseth, Ben Wadsworth, Necar Zadegan, and Cameron Gellmanellman star in the new version, which Davis relates to the classic “Dracula” lore:
“…I have to say, especially Ben Wadsworth and Kristine Froseth, the two young leads, are surprising us every day with how talented they are. The take on it is very much inspired by the book. I love the movie, ‘Let the Right One In’, the Swedish movie, but it wasn’t until I read the book where I thought, “Okay, I can see how this can be a TV series now, can definitely see it.” It’s the story of [Bram Stoker’s] Renfield.
“It’s Dracula’s seduction, the way he brings in Renfield, the caretaker. That’s a very interesting POV, and to tell it from the eyes of kids… it’s a very adult story. It’s quite dark. We’ll see if it gets past the pilot stage. As you know about the TV industry, the pilot is a sales tool, essentially. You’re creating a sales tool for the series. We’ll see how TNT likes the pilot and if we can go forward. They’ll be deciding pretty quickly.”
As he explains, we should know early into the New Year whether or not this is going to series. TNT is going hard into the horror genre so it would be surprising if they passed on it, especially with a new “Tales From the Crypt” looming.
All of us here at Bloody Disgusting are deeply saddened to learn that George A. Romero Foundation Founder and President Suzanne Desrocher-Romero has passed away.
GARF shared in a statement on socials, “It is with a heavy heart that we announce the passing of Suzanne Desrocher Romero. Suzanne passed away of natural causes on June 24 at her home in Toronto after a prolonged illness.”
The statement continues, “Suzanne was the fierce leader of the George A. Romero Estate and The George A. Romero Foundation. She worked tirelessly to preserve George’s legacy. Her work at the foundation will continue to inspire and live on for generations to come. The family asks for privacy at this time.”
Desrocher-Romero founded GARF in 2018, after her late husband’s passing in 2017, and has been a fierce advocate for his legacy and the arts. It was her mission to “strengthen horror as a serious field of global study,” and she was a tremendous fighter on behalf of Romero’s works and supporting new filmmakers inspired by his legacy.
It was Desrocher-Romero who spearheaded the recovery and restoration of The Amusement Park, and, as the person in charge of the George A. Romero estate, worked closely with author Daniel Kraus on completing unfinished novels like Pay the Piper and The Living Dead. She most recently celebrated the restoration of her favorite of Romero’s zombie films, Day of the Dead, and was hard at work producing the upcoming film Twilight of the Dead.
That passionate advocacy led to Suzanne Desrocher-Romero becoming family to Bloody Disgusting as well.
2023 marked the start of an ongoing partnership between Bloody FM and GARF on The Dead, a scripted audio series spanning multiple seasons that saw Desrocher-Romero working closely with the Bloody FM team and mentoring the series’s contributing writers with GARF. To say her loss will be felt internally is an understatement.
“Anytime George Romero is mentioned is good, because what we are doing is to provide a healthy legacy. We’re uplifting his legacy, we’re supporting the archive, and we’re also supporting the Horror Study Center. So, all of these three things are what the Foundation is striving to do. As far as I’m concerned, the more we say George Romero’s name, the better it is,” Desrocher-Romero recently told BD.
It’s the perfect encapsulation of her unwavering enthusiasm for supporting Romero’s legacy and the horror genre, and just a glimpse at how much she contributed to preserving it. She is, in short, an inspiration.
We send our deepest condolences to Suzanne Desrocher-Romero’s family, friends, and GARF.
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