Paco Plaza, who reinvigorated the zombie subgenre with [REC], is looking to do the same with the famed Ouija board in Veronica, from Film Factory. Veronica is about a young...
Coralie Fargeat is taking aim at the Toronto International Film Festival with her thrilling Revenge, which will world premiere in their Midnight Madness program. Written by...
Ryuhei Kitamura is heading to TIFF’s Midnight Madness with Downrange, a “terrifying” new thriller starring newcomer Kelly Connaire, Stephanie Pearson (Insidious: Chapter 2), Rod Hernandez-Farella, Anthony Kirlew, Alexa Yeames (The...
“I probably end up looking at well over 300 films for the section.” Horror fans who have yet to experience Midnight Madness should add it to...
Indiewire is highlighting Seth A. Smith‘s Canadian horror The Crescent, which will have its World Premiere in the Midnight Madness portion of the Toronto International Film...
Right before J-horror became pop culture, I was obsessing over Ryuhei Kitamura‘s action-packed Japanese zombie film, Versus. He soon went on to direct Alive, Godzilla: Final Wars, and even...
Tomb it may concern: strap in, secure your spooktacles, and feel free to let loose a mighty battle cry, because Midnight Madness has just launched its...
The Toronto International Film Festival just made their first announcement, and while the Midnight Madness selections are forthcoming this first wave includes several genre films we’re...
I have mixed feelings about rats. On the one hand, it’s a smart animal that makes for pretty a cool pet (better than mice or hamsters,...
It’s hard not to sound like a spoilsport when you pronounce a monster movie mash-up between two J-horror villains a disappointment. Unfortunately that’s exactly what Sadako...
The Autopsy of Jane Doe is one of those locked down haunted house films that, at the offset, seems unsustainable. The film only has two lead...
M.R. Carey’s celebrated genre novel “The Girl With All the Gifts” is one of the few novels-turned-films included in the Midnight Madness program (Morgan Spurlock’s documentary...
It’s shocking that it’s been seventeen years since the original The Blair Witch Project film debuted in theatres and took the world by storm. That film...
Two important names in the genre world are behind the acquisition of the Anne Hathaway starrer Colossal (read our review), directed by Nacho Vigalondo (Extraterrestrial, VHS Viral,...
Morgan Spurlock’s documentary, Rats, is set to premiere at the ongoing Toronto International Film Festival. We didn’t really know much about it, other than it being...
Outside of its TIFF write-up I knew next to nothing about Raw, French director Julia Ducournau’s “coming of age cannibalism” film. The buzz has been reserved...
Set to screen at the ongoing Toronto International Film Festival is Sadako vs Kayako (read our review), which pits the horror icons from both The Ring and The Grudge franchises in an epic...
L.A.-based Strand Releasing has acquired U.S. rights to Michael O’Shea’s atmospheric New York tale The Transfiguration, which world-premiered at Cannes’ Un Certain Regard, reports Variety. Sold...
A late movie on a Monday doesn’t scream drama but last night at the Toronto International Film Festival emergency lights were flashing on the red carpet at Midnight...
If there was one film purposefully designed for Midnight Madness, it might just be The Belko Experiment. Equal parts The Cabin in the Woods and Battle...
I’m still disappointed that I missed out on Osgood Perkins’ directorial debut February (now retitled The Blackcoat’s Daughter) at last year’s TIFF. Bloody Disgusting raved about...
The first major acquisition has been made out of the ongoing Toronto International Film Festival as Orion and BH Tilt nabbed Greg McLean’s The Belko Experiment,...
Ever since Nacho Vigalondo’s debut feature film Time Crimes came out, he’s been a director to keep an eye on. Among TIFF festival guides, the director’s...
What better way to start the Midnight Madness program than a riotous shoot-em-up starring a bunch of actors that are eminently cheer worthy? That’s Ben Wheatley’s...
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