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Horror Fans Have Never Had it This Good

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I hope you’re enjoying yourself, because we horror fans have it pretty good right now. If you’ve ever needed proof that our favorite genre is still very much alive, you needn’t look any further than this month’s offering of video games. Whatever flavor(s) of horror you prefer, we’ve seen a bit of everything — from supernatural to survival horror, prehistoric to post-apocalyptic.

For the most part, the last few weeks’ worth of horror-themed releases have been quality games, and the ones that are still on the way look incredibly promising.

Even if the rest of this month’s new releases are disappointing, that won’t change the fact that we haven’t had it this good in years.

So what, specifically, am I referring to? Well, technically, this horror game extravaganza kicked off with Daylight on April 29th. It wasn’t a great game, but that doesn’t matter, because it was quickly followed up by several other titles that are well worth your time if that one didn’t interest you.

May started strong, with the full release of developer Big Robot’s quirky, British robo-horror stealth survival game Sir, You Are Being Hunted. I’ve spent some time with the game, though not as much as I would have liked, and so far my favorite thing about it is its fantastic sense of humor. It’s also not an easy game, or maybe I’m just not very good at it. Either way, if you’re looking for a challenge, this one offers that and so much more.

A week after the British (robot) invasion, we saw the release of Outlast: Whistleblower (May 6), a prequel expansion to arguably the scariest game of 2013. It’s narrative is stronger than the base game, and it wraps up the story of Mount Massive asylum nicely, while offering a bit of closure for anyone who were unsatisfied with Outlast’s ending.

Not long after Red Barrels had put a neat, blood-spattered bow on their terrifying game of hide-and-seek, Telltale released the third episode in the five episode-long second season of their ridiculously good The Walking Dead: The Game.

TWDEp3

In Harm’s Way continues the increasingly perilous story of Clementine and friends as they face new dangers, most of which consist of cruel people doing awful things, which is sometimes broken up by the sudden unwelcome appearance of a few zombies. If you’re wondering where my review of this is, I had to delay it to make way for a trip out of town. It’ll go live early next week, I promise.

And finally, Fatal Frame fans got their spirit photography fix with the long anticipated arrival of DreadOut on May 15. It follows a group of students who discover a ghost town during their class trip to Indonesia. Unfortunately for them, this ghost town lives up to its name, but it’s not all bad, as one of the students soon learns she has the power to vanquish these malicious spirits (because video games).

Alone, that many scary games in a little over two week’s time would be worthy of celebration, but the fun doesn’t end there, no sir. We haven’t even touched on the handful of titles that will be made available to the public in the coming weeks, albeit in unfinished states.

Last week, Dead Island: Epidemic hit Steam Early Access, introducing its colorful new take on the popular zombie franchise. It’s also free-to-play, so there’s no real reason not to at least give it a try. On Monday, F.E.A.R. Online will be joining Epidemic with its horror-themed free-to-play multiplayer offering, and the party ends with The Forest and The Stomping Land which both arrive on Steam Early Access on May 30.

If memory serves, it’s been at least two years since we were last gifted with a release schedule that was this exciting, and the month I’m remembering wasn’t all that impressive. If you’ll take a journey back to March 2012, you’ll likely remember how promising that month was, with its decent selection of promising horror games that included I Am Alive, Silent Hill HD Collection, Silent Hill Downpour, Resident Evil: Operation Raccoon City, and Yakuza: Dead Souls. It was exciting, until the games came out, and then it wasn’t.

DreadOut

Thanks to a number of talented indie developers — six of the nine titles I mentioned are coming from small studios that are self-publishing their games — we’ve had a month that will be remembered. The reason I decided to take the time to write about all this is simple, really.

I’ve made it a goal of mine to use Bloody Disgusting’s substantial reach to promote indie developers who I think deserve it, because the games I’m most excited for nowadays are almost entirely coming from the indie space. I also keep hearing people say that horror is either dead, dying, or the bubble that is this golden age of indie horror we currently find ourselves in is about to burst, sending us all free-falling into a sea of brown and grey shooters, sequels, and casual games. I don’t believe it, not for a second.

Genres gain and lose popularity and attention over time — there’s no avoiding that — but in no way is horror on its way out. At least not for a while.

This leads me to my question: with all of these new horror games available or coming soon, which one(s) will have your attention as we head into E3?

YTSub

Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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