Horror Editorials
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Double the Women, Double the Fantasy in ‘Open Your Eyes’ and ‘Vanilla Sky’ [Sex Crimes]
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‘Puppet Master 4’ at 30: The Horror Tokusatsu Sequel You Never Knew You Needed
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Shirley Jackson’s ‘The Lottery’ – Digging Up the 1996 TV Adaptation Starring Keri Russell
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Diving into the Banality of Evil in David Fincher’s ‘The Killer’
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‘The Amityville Moon’ Is a Better Werewolf Film Than Amityville Film [The Amityville IP]
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‘Blood Rage’ & ‘Blood Feast’ Make a Tasty Turkey Treat [Double Trouble]
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Smart Grindhouse: How ‘Thanksgiving’ Reminds the World that Slashers Have Brains Too
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Shadows of Ourselves – The Unexplained Phenomena of Shadow People [DEAD Time]
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Exorcising 2023: The Return of the Possession Movie
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A Meta Nightmare: How ‘Alan Wake 2’ Pushes Survival Horror to New Heights
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Five Thanksgiving Horror Movies to Stream This Week
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Thanks for Giving Us Nightmares: Eli Roth’s 6 Nastiest Movie Moments
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Outside the States: Six Multi-Cultural Horror Movies You Need to Watch
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‘Night of the Comet’ – A Feel-Good Genre Classic About the End of the World
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‘Frankenstein Meets the Wolf Man’ – Celebrating the Original Monster Mash 80 Years Later
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‘American Psycho: The Musical’ Delivers Killer Looks and Catchy Hooks in Chicago [Event Report]
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Queen of Saw: Why Amanda Young Is Just as Important to the ‘Saw’ Franchise as Jigsaw Himself
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‘Nightcrawler’ – Revisiting Jake Gyllenhaal’s Career-Best Performance
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‘Secret Santa’ – Unwrapping the ‘Jason Goes to Hell’ Director’s Christmas Horror Comedy
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Bright Falls: How ‘Alan Wake 2’ Creates Environments Worth Exploring
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The 13 Edgar Allan Poe Stories to Read If You Loved “The Fall of the House of Usher”
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The Halloween After Party: November Horror Releases from 1970 to 2023
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Greg Nicotero Talks Romero, Zombies, Practical Effects and More at Rhode Island Comic Con [Event Report]
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‘Child’s Play’ – Celebrating 35 Years of Chucky and the Power of Damballa
