Horror Editorials
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‘Night of the Comet’ – A Feel-Good Genre Classic About the End of the World
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‘Frankenstein Meets the Wolf Man’ – Celebrating the Original Monster Mash 80 Years Later
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‘American Psycho: The Musical’ Delivers Killer Looks and Catchy Hooks in Chicago [Event Report]
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Queen of Saw: Why Amanda Young Is Just as Important to the ‘Saw’ Franchise as Jigsaw Himself
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‘Nightcrawler’ – Revisiting Jake Gyllenhaal’s Career-Best Performance
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‘Secret Santa’ – Unwrapping the ‘Jason Goes to Hell’ Director’s Christmas Horror Comedy
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Bright Falls: How ‘Alan Wake 2’ Creates Environments Worth Exploring
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The 13 Edgar Allan Poe Stories to Read If You Loved “The Fall of the House of Usher”
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The Halloween After Party: November Horror Releases from 1970 to 2023
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Greg Nicotero Talks Romero, Zombies, Practical Effects and More at Rhode Island Comic Con [Event Report]
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‘Child’s Play’ – Celebrating 35 Years of Chucky and the Power of Damballa
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4 of the Most Horrifying David Fincher Movie Moments
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‘Warlock III: The End of Innocence’ – Revisiting the Final Film in the ‘Warlock’ Trilogy
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Field of Screams – ‘Night of the Scarecrow’ Is an Unsung ’90s Supernatural Slasher
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‘An Amityville Poltergeist’ – The One That Shamelessly Rips Off J-Horror [The Amityville IP]
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Generational Sins: The True Horror of “The Fall of the House of Usher”
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Why YOU Should Be Making a Horror Film RIGHT NOW! – A Guest Post from Screenwriter Seth M. Sherwood
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‘Wolf Creek’ – How the 2005 Horror Movie Brought the Outback Gothic Back to Terrifying Life
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6 Edgar Allan Poe Adaptations to Watch After Netflix’s ‘House of Usher’
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The Father/Son Cronenberg Conversation in ‘Antiviral’ [Maple Syrup Massacre]
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5 Deep Cut Horror Movies to Seek Out in November 2023
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Witches vs. Druids – Revisiting ‘Warlock: The Armageddon’
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Hidden Halloween Gem: Lucio Fulci’s ‘City of the Living Dead’ and the Halloween Apocalypse
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‘Hell House LLC’ – The 4 Scariest Scenes in the Franchise
