Horror Interviews
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Director Lars Klevberg Talks About the Gore in His ‘Child’s Play’ [Interview]
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Jim Jarmusch and the Sociopolitical Meaning of ‘The Dead Don’t Die’ [Spoilers]
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‘The Dead Don’t Die’ Director Jim Jarmusch Talks Horror and Raves About ‘Train to Busan’ [Interview]
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The ‘Oculus’ Mirror is Hidden in the Overlook Hotel in ‘Doctor Sleep’! [Exclusive]
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[Interview] Eight New Things We’ve Learned About ‘Doctor Sleep’!
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Showrunner Talks the Kills and Killer of Netflix’s “Slasher: Solstice” [Interview]
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Porn, Horror, and Comedy Meet in Nick Corirossi’s ‘Deep Murder’ [Interview]
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[Interview] Actress Ellen Dubin Reflects on ‘Tammy and the T-Rex’ Ahead of Cinepocalypse Screening
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‘I Am Mother’ Robot is Almost Entirely Practical, Director Grant Sputore Reveals [Interview]
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[SPOILERS] Michael Dougherty Reveals the Scene He Always Wanted to See in a Godzilla Movie
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[SPOILERS] Tate Taylor Explains the Most Disgusting Scene in ‘Ma’
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‘Godzilla: King of the Monsters’ VFX Lead Takes Us into a World of Titans [Interview]
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[SPOILERS] Michael Dougherty Explains the OTHER Monsters in ‘Godzilla: King of the Monsters’
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Tate Taylor Explains Why Octavia Spencer Said “F*ck Yes!” to ‘Ma’ [Interview]
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Michael Dougherty Challenges Fans to Find All the References in ‘Godzilla: King of the Monsters’ [Interview]
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Tate Taylor Says ‘Ma’ Has the DNA of ‘Carrie’ and ‘Misery’ [Interview]
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[Interview] Joe Hill Talks AMC’s “NOS4A2”, Shared Universes and Upcoming “Locke & Key” Series
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Michael Dougherty on How, and Why, King Kong Will Fight Godzilla [Interview]
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‘Brightburn’ Director David Yarovesky Talks Potential Sequel; “No One Would See It Coming” [Interview]
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Director David Yarovesky on Making Superpowers Scary in ‘Brightburn’ [Interview]
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[Video] ‘Terminator: Dark Fate’ Featurette Sells It as the Ultimate Sequel to ‘T2’
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‘Trick’: Exclusive First Look at Omar Epps in Patrick Lussier’s Slasher [Interview]
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[Interview] ‘Code Vein’ Producer Aude-Alexia Koch on Bringing Something New to the Action RPG
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[Interview] ‘Masked Mutilator’ Screenwriters Give Us a Peek Behind the Mask
