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‘Spawn’ Reboot Would Cost $20 Million; Todd McFarlane Could Crowdfund?!

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Ooooooh boy.

Those who have been following my coverage of Todd McFarlane‘s insanely long-gestating reboot of Spawn know that I’ve had some insight into the development process and have shared my skepticism that his comic adaptation will ever get off the ground.

As I wrote back in May, my sources had told me several times that McFarlane is unreasonable in many of his demands, refusing to allow anyone else to work on his screenplay and that many hurdles would need to be crossed before Spawn ever made it back to the big screen. I noted that Hollywood doesn’t work this way, although it’s hard not to respect the man’s determination to do things his way. In fact, it’s hard to imagine he’d ever get it his way, which means it’s even more unlikely that Spawn will be reborn.

It was exciting news when Blumhouse got involved. Not only do they have the brand, but they also have the first-look distribution deal with Universal. I figured, shit, with Blumhouse maybe, just maybe they’ll get him to allow another screenwriter to come in and fix up his screenplay. Then there were reports of a spring 2017 shoot, which were anything but confirmation that the film would actually go into production. When he landed commitments from Jamie Foxx and Jeremy Renner to star, that’s when I accepted that Blumhouse was actually going to help McFarlane get this done.

That was until the aforementioned article from this past May, in which McFarlane starting talking as if he was going to just blow everything up, exclaiming that he’ll just “walk away from it all” if he has “to change it too much.”

As a huge fan of McFarlane, Spawn, and the birth of Image Comics, I prayed that there’d be some good news out of the San Diego Comic-Con. Then it came and went without a whisper…until now. Apparently, McFarlane was throwing insult grenades all over his panel, and Comicbook.com has the transcript.

“Lemme see if I can just go real quick: Spawn movie, right? When are you going to make a Spawn movie, when are you going into production? My answer is ‘Yesterday, yesterday, yesterday,'” said McFarlane, who then said something that made my eyes pop out of my head:

“I need $20 million to make this movie, I don’t have all of it.

“I have to ask people for money, and once you ask people for money, they get to have a say in it. Like I said, it’s a little bit of an uphill battle, because again, I just want to do this little dark ‘R’ movie, and they like those PG-13 success movies.”

First of all, $20 million for a movie isn’t “little”, as he keeps calling it, and it’s actually more than nearly every single Blumhouse production, sans M. Night Shyamalan’s Glass. $20M is a lot for an R-rated horror movie where the main character doesn’t speak and is barely in it, as McFarlane has previously explained several times in comparing his Spawn screenplay to Jaws.

McFarlane has officially passed through the first two stages of grief – denial and anger – and has now entered the third stage, bargaining. He’s started to noodle the idea of crowd-funding Spawn without any understanding of the numbers or how it works.

“Look I am relentless, I’m like a dog with a bone. I will get there, I promise you. I will get there. Because I will beat the system.

“Here’s what I’ll do: I’ll do it as a Kickstarter… and here’s the Kickstarter: I need 20 million people to give me a dollar.

“And I will make this movie, and when I get the money back I’ll return the dollar back to you. And you will be my producers… and all I’ll need is the distribution. That’s doable today. I don’t get why Ryan Gosling doesn’t do that for every one of his movies, ‘I need 20 million of you to give me a dollar,’ are you kidding, he’d have it in an hour and could go do his thing! But people in the system are beholden to it and they have obligations, and the guy on the outside, me, goes ‘I’m only going to give them so much time, and then I’m just going to come up with some crazy idea.”

I could actually see McFarlane finding a way to get $5 million through crowdfunding and private investing, but $20 million is asinine. Shockingly asinine. His 1992 “Spawn” #1 is one of the highest-selling comic books in history and it peaked at 1.7 million copies. Even if every single one of those people gave him $10, he wouldn’t have enough to make Spawn. Furthermore, how is he going to give every single person their $1 back if it loses money, which it probably will when you include marketing costs and delivering all of the rewards to 20 million “investors”?!

No matter what I think, McFarlane feels confident that he’ll find a way to the finish line. In fact, I’m rooting for him. I love his work, what he did for comics and the toy industry, and I fucking love Spawn.

“…there’s people on the outside that want to give me money that aren’t in the system,” he added. “But we’re going to get it done. I’m just trying to play nice, now, but I’m starting to lose my patience. But we’ll try; it’s going to get there one way or another, I promise you. I’m not going to let this one go.”

Reiterating what I’ve written in several articles, he’s going to have to reach the fifth stage of grief, acceptance, before he’ll get this project off the ground. He’s likely going to have to either change the film’s targeted MPAA rating or the film’s budget, not to mention the rewrites that need to happen (if they haven’t over at Blumhouse). I don’t see how Spawn happens until something gives and, unfortunately, that something is McFarlane’s pride.

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Movies

Friday, June 26 – These 4 New Horror Movies Released at Home Today

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strung review
Pictured: 'Strung'

This week kicked off with the release of hippo horror movie Hungry at home, and four more horror movies have arrived for at-home viewing as we head into the final weekend of June.

Here are the new horror movies that released on Friday, June 26, 2026!


The Halloween season can no longer be contained to the months of September and October, with “Summerween” becoming a thing in recent years. Essentially, it allows for Halloween to bleed into the warmer Summer months, and the first ever Summerween movie has arrived.

The Asylum released Summerween onto Digital outlets today.

In the film from writer/director Ryan Ebert, “On Summerween, a former circus clown escapes a mental institution to return to his abandoned mansion and hunt the teens partying there.”

Cole Chapleski, Chase Breithoff, Logan Roe, Sophia Sabol, and Clint Morrison star.

Director Ryan Ebert is the man behind a string of recent indie horrors we’ve covered, including Shark Side of the Moon, The Jolly Monkey, Jurassic Reborn, and Predator: Wastelands.


Avalon Fast interview Camp

A witchy coming-of-age story from Dark Sky Films, Camp is now playing in select theaters.

Check your local listings to find a theater near you.

Camp is from writer-director Avalon Fast (HoneycombThe Serpent’s Skin).

“Emily is the root cause of two devastating tragedies very early in her life, and she feels the weight of these accidents as though cursed. At her father’s suggestion, she takes a position at a summer camp for troubled youth to ease her guilt. When Emily arrives, she is welcomed by the other counselors, who accept her as she is and surround her with peace and forgiveness.

“As Emily begins to believe in a new kind of life, she starts to hear a voice whispering from deep in the woods — one that urges her to go home, and one that may be impossible to ignore.”

The film stars Zola Grimmer in her screen debut alongside Alice WordsworthCherry MooreLea Rose Sebastianis (Castration Movie Part 1 & 2, In A Violent Nature), Ella ReeceAustyn Van de Kamp (This Too Shall Pass), Sophie Bawks-Smith (Honeycomb), Izza Jarvis, and Aiden Laudersmith.


Producers Tyler Perry and Jason Blum have joined forces for Peacock Original Strung.

The film is now streaming only on Peacock.

“A talented violinist takes a prestigious job as a music tutor for the gifted daughter of an influential and enigmatic family. As she becomes entangled in their opulent world, unsettling secrets begin to surface, forcing her to question her safety, her dreams, and even her sanity.”

Malcolm D. Lee (Scary Movie 5, Space Jam: A New Legacy) directs from a script written by Alan B. McElroy (Wrong Turn, Halloween 4: The Return of Michael Myers).

Chloe Bailey (“Swarm“), Lynn Whitfield (Jaws: The Revenge), Lucien Laviscount (“Scream Queens”), Anna Diop (Us), Coco Jones (Vampires vs. the Bronx), Langley Kirkwood (“Banshee”), and Romy Woods star in Peacock’s Strung.


Produced by Diablo Codydirector Meredith Alloway’s Forbidden Fruits brought a new coven of witches to the big screen earlier this year, and it’s now streaming on Shudder.

Lola Tung (“The Summer I Turned Pretty”), Victoria Pedretti (“The Haunting of Hill House”), Alexandra Shipp (Tragedy Girls), Gabrielle Union (Breaking In), and Emma Chamberlain star in Forbidden Fruits, released by IFC and Shudder.

Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours. But when new hire Pumpkin challenges the group’s ‘girl boss’ ways, the women are forced to face their own poisons or succumb to a bloody fate. 

Forbidden Fruits grabbed me by the neck the very first time I read it,” Diablo Cody said. “It’s one of the craziest, most creative, beautifully bonkers projects I’ve ever worked on.”

Meagan Navarro writes in her review for Bloody Disgusting, “Forbidden Fruits may not necessarily forge new terrain in the teen satire space, but Alloway brings so much style and energy to her well-cast single-location stage play adaptation for the Gen Z crowd.”

The film is an adaptation of playwright Lily Houghton’s stage play Of the Women Came the Beginning of Sin and Through Her We All Die. Alloway and Houghton co-adapted.


This week’s new release roundups are presented by HUNGRY.

All aboard the swamp tour from hell – this hippo isn’t playing games…

HUNGRY is now available on Digital. Watch it now!

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