Horror Reviews
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[Review] ‘The Toybox’ Should Have Been a Horror Comedy
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[Review] ‘The Possession of Hannah Grace’ is a Stitched-together Mess of a Film
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[Review] ‘Omen of Sorrow’ is a Solid, Yet Shallow, Horror Icon Fighting Game
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[Review] ‘Darksiders 3’ is a Devilishly Good Adventure Spoiled By Its Many Technical Sins
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“The Walking Dead” Finally Embraced the Horror Tonight and It’s Only Getting Creepier from Here
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[Review] Richard Brake Delivers a Haunting Performance in ‘Perfect Skin’
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[Review] ‘Fallout 76’ is an Online Adventure With Great Potential, But Lacks Narrative Depth
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[Review] ‘Cam’ is a Surreal Commentary on Social Media Platforms
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[Review] “Deadwax” Has An Eerie Atmosphere And Killer Sound
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“The Walking Dead” Just Evolved into Something Different. Something Fresh. Something Better.
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[Review] ‘This War of Mine: The Last Broadcast’ is Emotionally Resonant and Oppressively Grim
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How the Official Novelization for ‘Halloween’ 2018 Expands and Enriches This Year’s Hit Sequel
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[Review] ‘Hitman 2’ is a Stone Cold Killer
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[Fantastic Fest Review] ‘Overlord’ is a Solid Film That Fails to Take Advantage of Its Outlandish Premise
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[TV Review] “American Horror Story: Apocalypse” Travels Through Time and Prepares for the End In “Fire and Reign”
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[Review] ‘Bloody Ballet’ Is a Creatively Misguided Mess
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[TV Review] ‘Channel Zero: The Dream Door’ Is a Madly Creative Treat
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[Review] Don’t Accept the ‘Monster Party’ Invitation
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[Review] ‘Phantom Halls’ is a Devilishly Delightful Horror Comedy Roguelike
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[Review] ‘Party Hard 2’ Suffers For its Randomized Acts of Violence
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[TV Review] Thanksgiving-themed “Flesh and Blood” a Dry and Overcooked Episode of “Into the Dark”
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[Review] “American Horror Story: Apocalypse” Spotlights Michael Langdon in Frustrating “Sojourn”
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‘Hellbent’ is a Halloween Slasher Film That’s Fit to Slay
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[Book Review] ‘Wolfman Confidential’ Is a Howling Good Read
