Horror Editorials
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Why ‘Unfriended’ Was a Legitimately Brilliant Piece of Horror Filmmaking
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[Butcher Block] The Torture and Blood Bath of ‘Hostel: Part II’
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10 Horror Movie Opening Scenes So Good We Were Instantly Hooked
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“Castle Rock”: How the Best Stephen King Adaptation Could Be One That Isn’t Really a Stephen King Adaptation
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Ted in ‘Friday the 13th Part 2’: The Unlikely Survivor Who Subverted Slasher Movie Rules
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Friday the 13th: The Pop Culture Phenomenon of Jason Voorhees
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[It Came From the ’80s] The Legendary Dick Smith’s Faceless Nightmare in ‘Ghost Story’
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This Season of “The Handmaid’s Tale” Has Been Home to Some of the Best Horror of 2018
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‘The Witch Who Came from the Sea’: GLOW’s Sam Sylvia is Based on a Real Director Who Made a Real Horror Movie
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[Horror Queers] ‘Sorority Row’: Generic Slasher or Genius Comedy?
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The Tall Man and Death Personified: ‘Phantasm II’ Turns 30
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Here’s Every Horror Easter Egg in Steven Spielberg’s ‘Ready Player One’ [Images]
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[It Came From the ’80s] ‘The Thing’: A Pinnacle of Practical Effects
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The Lost Art of the Horror Movie Theme Song
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[Butcher Block] Japanese Splatter Insanity in ‘Tokyo Gore Police’
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10 Horror Franchises That Are Practically Begging To Be Revived
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Looking Back On Four Decades of Michael Myers’ Many Masks
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[Retrospective] Why ‘The Lost World: Jurassic Park’ Is a Better Sequel Than It Gets Credit For
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The Five Best Genre Films We Saw at Cinepocalypse 2018
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6 Horror Movies That Are Unexpectedly Perfect for 4th of July Viewing
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How “Westworld” and ‘Jurassic World: Fallen Kingdom’ Share a Vision for the End of Mankind
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While You Wait for ‘Mandy,’ ‘Drive Angry’ is the Badass Nic Cage Film You Need to Watch
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[Horror Queers] Queering Up Heterosexual Horror Tropes in ‘Hellbent’
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Let’s Examine the Real-Life UFO Encounter That Inspired ‘Critters’