Horror Editorials
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Maestro of Macabre: The 6 Most Influential Mario Bava Horror Films
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30 Years of ‘New Blood’ – Looking Back at ‘Friday the 13th: Part VII’
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10 Murderous Mamas to Celebrate Mother’s Day!
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[Keeping it Golden] ‘Fatal Games’ is Strictly Murder by Numbers
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[Editorial] In Defense of the Modern Slasher and the Female Horror Fan
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5 Well-Known Directors Who Have Never Made a Horror Film… But Should
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Peter Jackson’s ‘The Frighteners’: An Unjustly Forgotten Gem
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[Butcher Block] Ryuhei Kitamura’s Gory Reverse Slasher ‘No One Lives’
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Video Game Retrospective: ‘Fatal Frame’ Series Still the Scariest
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[Horror Queers] The Enduring Appeal of ‘I Know What You Did Last Summer’
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[It Came From the ’80s] The Mad Monster Party of ‘Spookies’
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‘Neon Maniacs’: An Underrated Gem That Deserved So Many Sequels
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10 Most Brutal and Punishing Character Beat Downs In Horror
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[Prime Cuts] ‘Fade to Black’ Was Horror Fan Obsession Taken to the Extreme
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[Butcher Block] A Nihilistic Study of Pain and Flesh in ‘Martyrs’
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[Retrospective] ‘The Darkness’ Still Manages to Have Fun Bathing In Blood and Guts!
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10 Strongest Female Leads in Horror…So Far!
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Why the “Ash vs. Evil Dead” Series Finale is a Cruel Joke [Spoilers]
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Chilling “The Terror” Is a Masterclass In Atmospheric Horror
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[Keeping it Golden] All Star Slasher ‘Alone in the Dark’
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So Laurie is Basically Dr. Loomis in the New ‘Halloween,’ Right?
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[It Came From the ’80s] Creepy Crawly Cockroach Monsters in ‘The Nest’
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[Based on the Hit Film] Replaying ‘Blair Witch Vol.1: Rustin Parr’
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[Listicle of Death] 5 “All My Friends are Dead…and Here are Their Bodies” Slasher Moments