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Best Blu-ray Releases of 2015: The Collections Edition

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Mr. Disgusting’s Top 10 Horror Films | 10 More Must-See Horror Films of 2015! | Kalyn’s Top 20 Genre Movies | Adam’s Top 5 Horror Games | T. Blake’s Top 5 Horror Games | Chris’ Best Blu-ray Releases | Chris’ Best Double Features Blu-rays | Trace’s Top 5 Horror Films | Jon’s 5 Best Horror Soundtracks | Jon’s Top 10 Albums | 10 Most Disturbing Moments | 10 Best Horror Movie Posters | 10 Worst Horror Movie Posters | 10 Best Trailers | 10 Worst Trailers | 10 Most Surprising Horror Movies | 10 Most Disappointing Horror Movies | Jorge Solis’ 10 Scariest Comic Books | From Worst to Best: Comic Book & Superhero TV in 2015


I have a lot of friends that question why I buy so many Blu-rays and DVDs. They all think physical media is dead, a thing of the past. They all think streaming is the way to go. I’m of the opinion that not only is physical media alive and well, but it’s as strong as it’s been in years. Going through all the Blu-ray releases for this past year and I think physical media is doing much better than even I have thought. The quality and quantity of releases we received in 2015 is mind blowing. And that’s with me only focusing on genre related releases. If I open it up to include everything it gets even better.

In 2015 a lot of great things happened in the world of Blu-rays. Arrow made their trek across the pond and began releasing Blu-rays in the US. Other small distribution companies like The Film Detective and Artsploitation entered the Blu-ray game. Scream Factory went nuts releasing a ton of older films as well as some newer stuff. Slasher // Video teamed up with Olive Films to start releasing their unique library of titles on the superior format. Our cult leaders in Vinegar Syndrome and Severin Films gave us a number of great titles. Kino Lorber went absolutely bonkers releasing more titles than I can dare hope to remember. Synapse Films released Manos: The Hands of Fate on Blu-ray. That’s right we now have a freakin’ Blu-ray release for Manos: The Hands of Fate! And that’s just part of what happened this year. I haven’t even gotten into all the great companies releasing stuff overseas!

Because of all the goodies we were fortunate enough to receive this year I’ve struggled putting together a list of just 10. How can I narrow down 100’s of titles to a measly top ten? Simply put, it cannot be done. Instead I’m going to do multiple lists and today I’ll get that started with The Collections Edition.

To fall under the category of Collections I’m only choosing releases that have 3 or more movies. There were a ton of great double packs released this year and I’m leaving those for a separate category. That’s basically the criteria. If a set of 3 or more films was released this year, it was fair game. Now, let’s start counting down!

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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