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Trace’s 5 Worst Horror Movies of 2016

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Mr. Disgusting’s Top 10 Horror Films | Several More Must-See Horror Films | Kalyn’s Top 10 | Trace’s Top 10 | Trace’s Worst 510 Best Posters | Worst Posters | Best Trailers | Luiz Picks the Best Horror Shows | Chris’ Best Blu-rays 2016: The Year Netflix Embraced Horror | 10 Sci-fi Movies You May Have Missed | 13 Most Disturbing Horror Movie Moments |
5 Pretty Good Horror Movies You Might’ve Missed in 2016
[Poll Results] The Bloody Disgusting Readers Chose the 10 Best Horror Movies of 2016
10 Biggest Horror Stories of 2016
Let’s Play Pretend and Give Academy Awards to 2016’s Best Horror Movies


2016 was one of the best years for horror films in a long time. Unfortunately, even the best years have to have a clunker or two, and that is why “worst of” articles exist. It’s not enjoyable to trash films, but it’s a necessary evil that must be done. I didn’t get to see quite as many horror films as I would have liked (only about 70 out of 120), but to see what was up for consideration you can see the list of 2016 horror films I watched on my Letterboxd page. Let’s get started, shall we?

Dishonorable Mentions

There weren’t many truly atrocious horror films released in 2016, but there were plenty of mediocre ones. First there’s the disappointing (sorry) The Disappointments Room (my review). Then there’s the Inception/The Exorcist hybrid that is Incarnate (my review). Thomas Dekker’s ambitious but lackluster directorial debut Jack Goes Home (my review) meant well but was more a pretentious mess than a substantial character study. You can’t forget about the ghost story Visions (my review)*, which was unceremoniously dumped on Netflix back in January, no matter how much you would like to. Wes Craven’s final producing gig gave us the mean-spirited and sloppily put together The Girl in the Photographs. Finally, there’s Greg McLean’s first major American horror film The Darkness, which is so dull that you’d be forgiven for not realizing it was a horror film.

*I just realized I used the exact same phrase in the title of my reviews for Incarnate and Visions. Whoops. My New Year’s resolution for 2017 will be to get more creative with those.

The films listed above may be mediocre, but they cannot compare to the five worst horror films of the year. So without further ado, I give you these turds. The films listed on the next page earned a pretty strong reaction from me, and had I reviewed them they would have earned a 1.5/5 or lower on our skull scale.

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A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Denver, CO with his husband and their two dogs. Find him on Twitter @TracedThurman

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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