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10 Sci-fi Movies You May Have Missed in 2016

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Mr. Disgusting’s Top 10 Horror Films | Several More Must-See Horror Films | Kalyn’s Top 10 | Trace’s Top 10 | Trace’s Worst 510 Best Posters | Worst Posters | Best Trailers | Luiz Picks the Best Horror Shows | Chris’ Best Blu-rays 2016: The Year Netflix Embraced Horror | 10 Sci-fi Movies You May Have Missed | 13 Most Disturbing Horror Movie Moments |
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Every year, blockbuster science fiction movies drive ticket sales for the industry and get us all flocking to the cinema. But for every Arrival or Rogue One, there are many smart and inventive sci-fi films that go totally unnoticed.

Here we’ve assembled a few of our favourites from 2016 that are worth catching up with before 2017 gives us even more.

Synchronicity

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Jacob Gentry’s Synchronicity deserves credit for its mind-bending plot and a slick noir aesthetic. A throwback to 80s sci-fi, the film feels like an unearthed Trimark Pictures release, and certainly Ben Lovett’s Moog-drenched soundtrack is Vangelis to the max, up there with the best synth scores of the year including S U R V I V E’s Stranger Things and Clint Mansell’s work for The Neon Demon.

In Synchronicity, a physicist who invents a time machine must travel back to the past to uncover the truth about his creation and the woman who is trying to steal it.


ARQ

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Netflix dropped two sci-fi flicks in 2016, ARQ and Spectral, and despite having a blast with Spectral‘s “gritty Ghostbuster” vibe, I found ARQ to be much more engaging and full of surprises. Perhaps that comes down to taste, but for me ARQ proves that an inventive screenplay can sometimes trump big budgets and massive set pieces.

In ARQ, written and directed by Tony Elliott, a couple gets trapped in a time loop, fending off masked home-invaders while protecting an invention that could save humanity.


Approaching the Unknown

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From Moon to The Martian, Eurpoa Report  and Gravity, there is a rich tradition of space travel done awry. Approaching the Unknown is a similar tale.

The film stars stars Mark Strong as Captain William Stanaforth, who prepares for a one-way mission to colonize Mars. In what is essentially a one-man-show, Strong gives a bravaura performance  as an astronaut slowly losing it as he faces insurmountable odds and stresses on a perilous journey.


Kill Command

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Boasting some truly great production and robot designs as well as taking its story cues from James Cameron’s Aliens, Kill Command is a fun, military sci-fi film that’s a B movie through and through. And that’s okay!

In Kill Command, an elite army unit travels to a remote island training facility to investigate a problem with a new robot prototype. Engage killbots!


High-Rise

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Ben Wheatly (Kill List) dystopian High-Rise is an impenetrable fever dream of a film that takes no prisoners in its portrayal of free market ideology run amok. Adapted from the dystopian novel by J.G. Ballard, High-Rise tells the story of the inhabitants of a new, state of the art high rise apartment complex that engage in a sort of class warfare.

Full disclosure, as much as I found this film to be haunting overall, by the second act I think it devolves into a big mess. However, what’s good about it works. It’s gorgeous;y shot, and the needle-drop soundtrack is killer.


Into the Forest

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Evan Rachel Wood may have captured the zeitgeist with her role as Dolores in HBO’s Westworld, but that wasn’t her only great sci-fi role in 2016. Into the Forest is a harrowing tale of two sisters (Wood and Ellen Page) who find themselves out in the wilderness during an apocalyptic event. As they work to survive in a world slowly crumbling around them, the bond betweem them grows stronger.

Similar to other sci-fi dramas like the recent Z is for Zachariah, Part sci-fi drama, part thriller, Into The Forest emerged as one of the year’s biggest surprises.


Tank 432

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Produced by Ben Wheatley, Tank 432 is the directorial debut of that director’s long-time cinematographer, Nick Gillespie. With a resume that includes such psychotropic  flicks as A Field in England and High-Rise, it’s no surprise that his first film is equally as trippy.

In the immensely claustrophobic movie, a group of mercenaries come under attack and hole up inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the ‘Belly of the Bulldog’.


Midnight Special

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Jeff Nichols crafts a heartfelt tale of a father trying to protect his son that can only be described as “Spielbergian”. In it, Michael Shannon races across the country to save his gifted son who may have supernatural powers.

Ultimately, the film is a rumination on how difficult it is to allow a child live and learn on their own. As a father myself, I can certainly relate to the conflicts at the center of the film. And even though I felt some of the mysteries of the film fell a bit flat, overall Midnight Special feels like a singular experience.


Terminus

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A polarizing film that seems to have sci-fi fans either hailing it as an original gem or calling it a piece of crap, Terminus is really neither of those extremes. What it it, is a compelling and smart sci-fi indie from Australia with some good performances and an original concept.

In the film, following a near-fatal accident, David Chamberlain makes an unprecedented discovery that will not only determine the fate of his family, but of mankind.


Evolution

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If you didn’t see Evolution in 2016, don’t panic! It only got released at the end of November so you’re not that behind. Easily one of the most striking films of 2016 visually, it is also one of the most compelling science fiction films of the last few years. Some are calling it Horror, but Evolution straddles genres in the sci-fi in the same way that H.G. Wells’ “The Island of Dr. Moreau” does.

In Evolution, 11-year-old Nicolas lives with his mother in a seaside housing estate. The only place that ever sees any activity is the hospital. It is there that all the boys from the village are forced to undergo strange medical trials that attempt to disrupt the phases of evolution… then sh*it gets weird.

2016 definitely saw a number of interesting science fiction experiments emerge that flew under the radar. Looking back over the year, it seems strong for genre overall. But don’t let the smaller films slip through the cracks.

Okay, now it’s  your turn. What sci-fi films did you llike in 2016 that seemed to go unnoticed?

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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