Editorials
The 13 Most Disturbing Horror Movie Moments of 2016!
5 Pretty Good Horror Movies You Might’ve Missed in 2016
[Poll Results] The Bloody Disgusting Readers Chose the 10 Best Horror Movies of 2016
10 Biggest Horror Stories of 2016
Let’s Play Pretend and Give Academy Awards to 2016’s Best Horror Movies
One of my favorite parts about all of these year-end lists is going back through all of the horror films I’ve seen that year and picking out the most fucked up scenes to include on the “Most Disturbing Movie Moments” list. I think it may actually be my favorite list to compile at the end of every year. Does that make me depraved? Maybe. Do I care? Not really. Anyway, below are 12 of the most disturbing scenes the horror genre gifted us with in 2016. To qualify for this list the scene in question had to inspire some sort of visceral reaction in the viewer. It didn’t necessarily have to be gory or violent. It just had to provoke a strong reaction from the viewer. For the sake of not letting readers feel left out, films that only screened at festivals this year were not taken into consideration. Those films will go on 2017 lists (should they actually get a release in 2017).
***WARNING: NSFW and SPOILER-FILLED imagery & videos below.***
Drinking the Kool-Aid – The Invitation
Karyn Kusama’s The Invitation is a masterful exercise in unbearable tension that culminates in a dinner massacre so shocking that it had people screaming in the theater. Out of context it probably doesn’t seem that disturbing, but after 70ish minutes of slow-building paranoia and dread the cathartis that the scene provides is astounding.
The Rape in Hell – Baskin
First-time director Can Evrenol shocked audiences this year with Baskin, a self-proclaimed trip to Turkish Hell (which is apparently worse that regular Hell). There are a plethora of disturbing moments throughout the film’s 97-minute runtime, the worst of which is when one of the cops is forced to have sex with a woman wearing a goat’s skull. It’s a stomach-churning moment in a film filled with them.

Got a Tampon? – Emelie
Emelie is a perfectly average psycho babysitter movie bolstered by a bravura performance from Sarah Bolger (The Lazarus Effect). In one of the film’s more unsettling scenes, Jacob (Joshua Rush) finds Emelie (Bolger) in the restroom during a game of hide and seek. After informing him that she’s on her period, she proceeds to make him find a tampon for her. Best babysitter ever!
Nothing Wrong With Necrophilia – The Neon Demon
Jena Malone is arguably the best thing about The Neon Demon, Nicolas Winding Refn’s pretty but hollow psychological horror film. The film received a jolt of energy every time she came (in more ways than one) on screen. Something that didn’t come to life was the corpse she had sex with towards the end of the film. Not much else needs to be said about this scene, but suffice it to say if you don’t like saliva, you should probably steer clear.

Up Next: Vagina Eggs and Broken Bones
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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