Horror Editorials
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From ‘Maniac Cop’ to ‘The Stuff’: 10 Must-Watch Films from the Late Larry Cohen
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[We Love ’90s Horror] ‘Idle Hands’ Is a Playfully Devilish Little Horror Comedy
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[Anime Horrors]: The Craft Of Subverting a Genre in ‘Puella Magi Madoka Magica’
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Hideous, Hungry and Loose: A Brief History of ‘Castle Freak’
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What You Need to Know About Folk Horror Before You See Ari Aster’s ‘Midsommar’
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[It Came From the ’80s] Carnies Get Monstrous in Tobe Hooper’s ‘The Funhouse’
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[TV Terrors] Remember the 2002 Revival of “The Twilight Zone”?
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Now’s the Perfect Time to Revisit Kölsch and Widmyer’s Gruesome ‘Starry Eyes’
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The Dying Art of the Horror Movie Title Sequence
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Pushing the Envelope of Taste: The Making of ‘Postal 2’
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Why Lydia Deetz from ‘Beetlejuice’ is Forever My Goth Girl Hero
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Eight 1980s Horror Movies to Pair With Jordan Peele’s ‘Us’
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[Review] ‘The Glass Staircase’ is a Loving Homage to Retro Survival Horror and Fulci’s Zombie Films
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April Fools’ Day: The Worst Pranks in Horror History
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“The Walking Dead” Ends Excellent Season 9 With One of the Coolest, Most Unique Episodes to Date
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Horror Game ‘FAITH’s Effective and Honest Letters Remind Us Why Reading Horror Matters
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[It Came From the ’80s] The Cannibalistic Underground Dwellers of ‘C.H.U.D.’
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[Trapped By Gender] This Is Gonna Get Scary: An Introduction
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Beware the Ball, Beware the Tall Man: ‘Phantasm’ Turns 40
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[Interview] Mary Lambert Reflects On What Makes ‘Pet Sematary’ Such a Scary Story
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[We Love ’90s Horror] Gory, Gooey ‘Ticks’ Will Make Your Skin Crawl
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The Blood is Life: A Brief History of Vampires in Film
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[Set Visit] ‘Hellboy’: Daniel Dae Kim on Mysterious B.P.R.D. Member Ben Daimio
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There’s Only One King