Horror Editorials
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[We Love ’90s Horror] Gory, Gooey ‘Ticks’ Will Make Your Skin Crawl
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The Blood is Life: A Brief History of Vampires in Film
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[Set Visit] ‘Hellboy’: Daniel Dae Kim on Mysterious B.P.R.D. Member Ben Daimio
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There’s Only One King
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Carry On Wayward Sons: We Celebrate and Mourn “Supernatural,” a Horror Institution for 15 Years
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‘Generation Zero is a Great Sci Fi Survival Concept, But a Frustrating Mess to Play
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[Set Visit] ‘Hellboy’: Meet the Lord and Lady of Secret Occult Society the Osiris Club
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Looking Back at ‘Manhunt’ and its Unique Take on Video Game Violence
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[Set Visit Report] David Harbour is the Comic Book-Faithful ‘Hellboy’ Fans Always Wanted
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“The Walking Dead” Just Killed These 10 Characters in One Harrowing, Horrifying Episode
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What We Learned on the Set of Neil Marshall’s Practical Effects-Driven, Horror Take on ‘Hellboy’
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[Spoilers] Let’s Unpack Jordan Peele’s ‘Us’ Together; Why It’s a Masterpiece and What It’s All About
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[Butcher Block] Hell Gets Perverse and Personal in ‘Baskin’
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Celebrating the Wonderful Weirdness of John Carl Buechler’s ‘Troll’
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Putting the ‘God’ Back in ‘Godzilla’: Our Visit to the Set of ‘King of the Monsters’
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[We Love ’90s Horror] ‘Fallen’ Is a Delightfully Demonic Detective Story
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The 5 Horror Episodes of Netflix’s “Love, Death & Robots” You Need to Watch Immediately
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How ‘Cuphead’ Resurrected the Unsettling Style of Early Cartoons
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[Retrospective] Sci-Fi Horror Epic ‘Super Metroid’ Turns 25
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[Remake Fever] Zack Snyder and James Gunn’s ‘Dawn Of The Dead’ Turns 15
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Master of Monsters: Celebrating the Work of Horror Legend John Carl Buechler
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[It Came From the ‘80s] ‘Day of the Dead’ and Its Endearing Zombie Bub
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‘Eight Legged Freaks’ Remains a Criminally Overlooked Horror Comedy
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Roadside Attractions and Creepy Mannequins: ‘Tourist Trap’ Turns 40