Horror Editorials
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“I Wanna Play a Game”: What if Wes Craven Never Directed ‘Scream’?
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[We Love ’90s Horror] ‘Tales from the Hood’ Delivered Anthology Horror With the Bite of Social Commentary
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The Enduring Terror of the Gill Man: ‘Creature from the Black Lagoon’ Turns 65
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[Butcher Block] Splatstick ‘Body Melt’ Tests the Gag Reflex
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“The Walking Dead” Just Invited Us Behind Enemy Lines and Goddamn the Whisperers Are a Nightmare
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Demon Hunting In Style: Celebrating the Original ‘Devil May Cry’
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Celebrating 10 Years of Brütal Legend! [Editorial]
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The Terror of Seeing Yourself in An Other: 10 Body Doubles in Horror
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Metro Exodus’ Spider Bunker Shows the Importance of Level Design
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The Devil’s in the Dance: ‘Climax’ and the Extreme Horror of Gaspar Noé
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Raving for Rodents: 8 of Horror’s Raddest Rats!
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‘Hotline Miami’ and the Horror of Postmodernism
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[Butcher Block] ‘Laid to Rest’ is a Gore-Hound’s Slasher
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[Interview] How ‘World of Horror’ Captures Junji Ito’s Brand of Cosmic Horror in Video Game Form
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[It Came From the ‘80s] The Gooey Grand Surreal Shunting of ‘Society’
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Oscar Winners 2019: Bloody Disgusting’s All-Horror Edition!
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[Editorial] Ernest Dickerson’s Gonzo Horror Film ‘Bones’ Deserves a Cult Following
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[Horror Queers Podcast] Trace and Joe Discuss ‘Lyle’, a Lesbian ‘Rosemary’s Baby’
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‘Resident Evil 2’: Whose Campaign is the Best?
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[Butcher Block] Eli Roth’s Flesh-Eating Viral Frenzy ‘Cabin Fever’
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I’ve Read the ‘Hellraiser’ Treatments by Todd Farmer and Patrick Lussier [Exclusive]
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Driller Killer: Revisiting the ‘Slumber Party Massacre’ Trilogy!
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Underrated ‘The Hills Run Red’ Was an Excellent Meta Slasher That Deserved Its Own Franchise
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[It Came From the ’80s] Toxic Waste Mutant Schlock Monster ‘The Being’