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[BEST & WORST ’12] The Best Trailers Of The Year!

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In a perfect world, we wouldn’t need trailers. We’d magically show up at the movie theater, be seated in front of a screen and watch an amazing movie that we, up until that point, had never seen a frame of footage from.

But the world we actually live in is occasionally not-so-great, so trailers exist. Silver lining? At lot of trailers are badass! Some of them are sometimes (unfortunately) better than the film they’re selling! An effective teaser can often be an inspiring piece of work that you watch again and again.

With that in mind I set out to take a look at trailers released this year that actually got me excited. Some of the these movies haven’t come out yet, nor have I seen all of them. But that’s the point! If a trailer has me stoked about next year – it’s a success. And with some of the other teasers I almost wish I hadn’t seen the movie, so perfect were the two minutes they chose to promote it with.

Head inside for the best trailers of the year (in no particular order)!

Mr. Disgusting (Best/Worst) | Evan Dickson (Best/Worst) | David Harley (Best/Worst) | Lonmonster (Best/Worst) | Corey Mitchell (Best of Fest) | Supporting Staff (Best & Worst) | Ryan Daley (Best Novels)
Posters (Best/Worst) | Trailers (Best/Worst)

THE EVIL DEAD

Holy f*cking sh*t. I feel like almost every naysayer ate their words when they saw this. Judging by this trailer, this is a remake done right. Taking the spirit, idea and intent behind the original and then taking it to places the original filmmakers simply couldn’t at the time they made it.

WARM BODIES

In which director Jonathan Levine (50/50, The Wackness, All The Boys Love Mandy Lane) dips his toes back into the horror genre after the funny, touching character studies of his last two films. I know there are some haters out there, but this trailer has such a warm and infectious energy that I can’t resist it. Very much looking forward to this one.

PROMETHEUS


I included the teaser on last year’s list, but the full trailer didn’t hit until this year. What a thrilling and invigorating 2 minutes! The trailer that started the argument, “what if trailers are just too good for their movies to live up to now?” Can you remember the days when you thought Prometheus might rock this f*cking hard?

PACIFIC RIM

This trailer tells you all you need to know. Big, huge, Guillermo Del Toro. While I don’t think everything he does is perfect – his characters often don’t engage me – it’s going to be a blast attaching him play in his biggest and most expensive sandbox yet.

MANIAC

Word on the street is that Franck Khalfoun’s Maniac remake is something of a slasher masterpiece. I haven’t seen it yet, so I can only go by this super creepy trailer that looks like the world’s most nightmarish perfume ad come to life.

PARANORMAL ACTIVITY 4

It’s a testament to how unrelentingly monochromatic this series is that I got excited about some green Kinect dots. But I did. Too bad this movie is TERRIBLE. PA3 4 LYFE.

STOKER

The trailer for Chan-wook Park’s latest is intriguing and full of menace. It manages to give us a sense of the story without showing too many of its cards. It sells us without spoiling us. I don’t need to see any more than this, I’m in.

THE CABIN IN THE WOODS


Selling The Cabin In The Woods is such a damned if you do and damned if you don’t proposition. If you play it close to the vest (and save the twisty stuff for later), it looks like just another slasher. If you show all your cards, it looks overly meta and confusing. Given the fact that movies actually have to be sold, I actually think this trailer straddles the line quite well.

THE ICEMAN

Not a great trailer in the traditional sense, but I’ll be damned if it doesn’t make me curious to see this movie. I love the HBO documentaries on Richard Kuklinksi and Michael Shannon seems like the perfect fit to play him. Toss Winona Ryder, James Franco, Chris Evans and Ray Liotta into the mix and I’m sold.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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